At the age of twenty-nine, Elgar Enders "runs away" from home. This running away consists of buying a building in a black ghetto in the Park Slope section of Brooklyn. Initially his ... See full summary »
A bank security expert plots with a call girl to rob three safety deposit boxes containing $1.5 million in cash belonging to three very different criminals from a high-tech security bank in Hamburg, Germany.
Thirty-something George Roundy is a Beverly Hills hairdresser, who spends as much time sleeping with his female clients as he does doing their hair. Whether they want to admit it, all the women in his life are on the most part aware that they are are not the only one with whom he is sleeping. And some, such as the wealthy and married Felicia Karpf, have a stronger emotional dependence on George than they would like to admit. George's current girlfriend is Jill, an up and coming actress. Jill's best friend is Jackie Shawn, one of George's old girlfriends who left him because he couldn't make a true commitment to her. In turn, Jackie is currently having an affair with Lester Karpf, Felicia's wealthy businessman husband. George is unhappy working at a salon owned by Norman, with whom he is constantly butting heads. In his first act of wanting finally to be a grown up, George wants to open his own salon, but doesn't have the financial resources to do it, and no bank will lend him money ...Written by
In a recent interview in Cineaste magazine, celeb film critic Pauline Kael described the 1970's as the greatest decade of American movies. She then laid claim by listing her seven favorite films from that period. One of the films mentioned was Shampoo. I couldn't agree more with Pauline. Aside from the lighting and some of the camerawork, everything in the film is about as good as it gets---Robert Towne's ear for common parlance, Beatty's understated charisma, and Ashby's whirlwind direction.
It's strange that more people haven't written about this movie. In many ways, Shampoo seems to have been forgotten, floating somewhere in film history heaven. I live in Los Angeles and have never heard about it being screened anywhere. Dave Kehr and the critical establishment in general have all written it off as a film that hasn't aged well. And I've never seen a book written about either Shampoo or Ashby. Am I living in a vault or is this really the legacy of Shampoo? If you don't like this movie, I urge you to write or contact me. My e-mail address is listed above. I simply don't understand why more people don't
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