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Salò, or the 120 Days of Sodom (1975)

Salò o le 120 giornate di Sodoma (original title)
Not Rated | | Drama, Horror, War | 19 May 1976 (France)
In World War II Italy, four fascist libertines round up nine adolescent boys and girls and subject them to one hundred and twenty days of physical, mental and sexual torture.
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Cast

Cast overview, first billed only:
Paolo Bonacelli ... The Duke
Giorgio Cataldi ... The Bishop
Umberto Paolo Quintavalle ... The Magistrate (as Umberto P. Quintavalle)
Aldo Valletti ... The President
Caterina Boratto ... Signora Castelli
Elsa De Giorgi ... Signora Maggi
Hélène Surgère ... Signora Vaccari (as Helene Surgere)
Sonia Saviange ... The Pianist
Sergio Fascetti Sergio Fascetti ... Male Victim
Bruno Musso Bruno Musso ... Carlo Porro - Male Victim
Antonio Orlando Antonio Orlando ... Tonino - Male Victim
Claudio Cicchetti Claudio Cicchetti ... Male Victim
Franco Merli ... Male Victim
Umberto Chessari Umberto Chessari ... Male Victim
Lamberto Book Lamberto Book ... Lamberto Gobbi - Male Victim
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Storyline

Nazi-Fascist Northern Italy, 1943-44. Four senior members of government, aided by henchmen and Nazi soldiers, kidnap a group of young men and women. They hold them for 120 days, subjecting them to all manner of torture, perversion and degradation. Written by grantss

Plot Summary | Add Synopsis

Taglines:

A disturbing motion picture for mature audiences who are prepared to view it. See more »

Genres:

Drama | Horror | War

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Italy | France

Language:

Italian | French | German

Release Date:

19 May 1976 (France) See more »

Also Known As:

Salò, or the 120 Days of Sodom See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Roger Ebert owned the film on LaserDisc for years after the film's release, but never watched it because he was intimidated by the graphic content. He supposedly died without ever watching it. See more »

Goofs

In the beginning of the film a 1948 Fiat 500 B can be seen. See more »

Quotes

[first lines]
[four men, sitting at a table, each sign a booklet]
The Duke: Your Excellency.
The Magistrate: Mr. President.
The President: My lord.
The Bishop: All's good if it's excessive.
See more »

Crazy Credits

Essential Bibliography: Roland Barthes: 'Sade, Fourier, Loyola' (Editions du Seuil); Maurice Blanchot: "Lautréamont et Sade' (Editions de Minuit; in Italy Dedalo Libri); Simone de Beauvoir: 'Faut-il brûler Sade' (Editions Gaimard); Pierre Klossowski: 'Sade mon prochain, le philosophe scélérat' (Editions du Seuil; in Italy SugarCo Edizioni); Philippe Sollers: 'L'écriture et l'experience des limites' (Editions du Seuil) See more »

Alternate Versions

The Criterion DVD omits a short 25-second sequence during the first wedding ceremony, where one of the masters quotes a poem by Gottfried Benn. The sequence is intact on the R2 BFI DVD. See more »

Connections

Referenced in The Cinema Snob: Mommie Dearest (2014) See more »

Soundtracks

Son tanto triste
(uncredited)
Composed by Franco Ansaldo and Alfredo Bracchi
Conducted by Ennio Morricone
See more »

Frequently Asked Questions

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User Reviews

Don't judge this film too quickly.
30 April 1999 | by marcopopSee all my reviews

It appears most people find this movie to be sick, pointless, and without substance. That's unfair.

This is the strongest movie I've ever seen, and it made an IMPORTANT impression on me, a big horrorflick-devotee. It made me question a lot of things about former favourite films, and made me realize how sick it is to make horror and violence into entertainment. The problem with most movies is that violence is not portrayed violent enough, horror isn't portrayed horrible enough. Most 'thriller' films have these ingredients softened so that people can enjoy it, and THAT'S sick. This movie is SANE. It shows horror and violence as it IS - totally revolting and disgusting.

I sat as on needles for 1 hour 40 minutes, and felt really bad watching this film. It grossed me out, but I understood why this film is both good and important. It gives a sane perspective on violence, as opposed to SICK, SICK Hollywood-action where people get killed by 'heroes' and nobody raises an eyebrow.


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