Grizzled American private detective in England investigates a complicated case of blackmail turned murder involving a rich but honest elderly general, his two loose socialite daughters, a pornographer and a gangster.
Captain Call has just buried Gus at Lonesome Dove and plans to head back to his ranch in Montana. Looking at a herd of wild Mustangs, he decides to drive them north with the help of Isom ... See full summary »
Captain Harry Flashman of the British Army is a cad, a coward, and a lecher who always seems to come off inadvertently heroic. While romancing renowned courtesan Lola Montes, Harry is recruited against his will by Otto von Bismarck to substitute for a look-a-like Prussian Prince ostensibly in order to help Bismarck enlarge his hold over German duchies. But Bismarck has something more sinister in mind for Harry and the Prince.Written by
Jim Beaver <firstname.lastname@example.org>
At around 48 minutes, as Flashman and Rudi enter Strackenz, one of the cheering crowd of townspeople can be seen to pull out a compact camera and take a photograph of the procession, before resuming cheering. See more »
So, the last thing I have to tell you young fellows is this: play up and play the game, honor your queen and country, mind what your masters tell you, say your prayers each night, keep your minds and your bodies clean, take a cold bath each day, and you'll find you can always look the world in the eye like an English gentleman.
[audience members concurs, muttering "Here, here"]
Now my lads, I'm just a simple soldier.
[Audience members murmer objections and so does the headmaster]
[...] See more »
Who else but that hate-to-love Malcolm McDowell could possibly do justice to one of literature's great scoundrels, Harry Flashman? In this George MacDonald Fraser spin-off of Thomas Hughes' classic Tom Brown's School Days, we are treated to some hilarious apocryphal tales involving such larger-than-life nineteenth-century figures as Otto von Bismarck and Lola Montez.
This ripely visual Richard Lester production is sometimes a bit over the top, with gratuitous slapstick and audible guffaws and grunts. Nevertheless, on balance, a delightful romp, and a chance to see the wonderful Alastair Sim in one of his final appearances.
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