Imprisoned Harry Lomart is a vicious, brute of a man and yet he is prepared to do his long jail term as he is confident that on his release his beautiful wife Pat will be waiting for him, but a visit from Pat brings him his worst nightmare.
This sprawling, surrealist musical serves as an allegory for the pitfalls of capitalism, as it follows the adventures of a young coffee salesman in Europe. Many actors play multiple roles, giving the film a stagy tone.
Based on Lermontov's novel Vadim, this costume drama, set in Russia during the 1700s, chronicles the battle between a vengeful, anarchic peasant and the tyrannical landowner who killed his mother and father.
A man and his mistress have just taken off for a weekend romp when they're kidnapped by a trio of bank robbers. They wind up becoming media "stars" as police and reporters follow them. They... See full summary »
Captain Harry Flashman of the British army is a cad, a coward, and a lecher who always seems to come off inadvertently heroic. While romancing renowned courtesan Lola Montes, Harry is recruited against his will by Otto von Bismarck to substitute for a lookalike Prussian prince ostensibly in order to help Bismarck enlarge his hold over German duchies. But Bismarck has something more sinister in mind for both Harry and the prince.Written by
Jim Beaver <email@example.com>
At around 48 minutes, as Flashman and Rudi enter Strackenz, one of the cheering crowd of townspeople can be seen to pull out a compact camera and take a photograph of the procession, before resuming cheering. See more »
So, the last thing I have to tell you young fellows is this: play up and play the game, honor your queen and country, mind what your masters tell you, say your prayers each night, keep your minds and your bodies clean, take a cold bath each day, and you'll find you can always look the world in the eye like an English gentleman.
[audience members concurs, muttering "Here, here"]
Now my lads, I'm just a simple soldier.
[Audience members murmer objections and so does the headmaster]
[...] See more »
Who else but that hate-to-love Malcolm McDowell could possibly do justice to one of literature's great scoundrels, Harry Flashman? In this George MacDonald Fraser spin-off of Thomas Hughes' classic Tom Brown's School Days, we are treated to some hilarious apocryphal tales involving such larger-than-life nineteenth-century figures as Otto von Bismarck and Lola Montez.
This ripely visual Richard Lester production is sometimes a bit over the top, with gratuitous slapstick and audible guffaws and grunts. Nevertheless, on balance, a delightful romp, and a chance to see the wonderful Alastair Sim in one of his final appearances.
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