6.6/10
19,587
177 user 107 critic

Rollerball (1975)

In a corporate-controlled future, an ultra-violent sport known as Rollerball represents the world, and one of its powerful athletes is out to defy those who want him out of the game.

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(screenplay)
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Won 1 BAFTA Film Award. Another 3 wins & 5 nominations. See more awards »

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Cast

Complete credited cast:
... Jonathan E.
... Bartholomew
... Ella
... Moonpie
... Cletus
... Mackie
... Daphne
... Executive
... Rusty, Team Executive
... Japanese Doctor
... Girl in Library
... Bartholomew's Aide (as Rick LeParmentier)
... Strategy Coach for Houston Team
... Librarian
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Storyline

In a futuristic society where corporations have replaced countries, the violent game of Rollerball is used to control the populace by demonstrating the futility of individuality. However, one player, Jonathan E., rises to the top, fights for his personal freedom, and threatens the corporate control. Written by Jeff Hansen <jmh@umich.edu>

Plot Summary | Plot Synopsis

Taglines:

In the not-too-distant future, wars will no longer exist. But there WILL be...The Game. See more »

Genres:

Action | Sci-Fi | Sport

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

MGM

Country:

|

Language:

Release Date:

25 June 1975 (USA)  »

Also Known As:

Роллербол  »

Filming Locations:

 »

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Box Office

Gross USA:

$30,000,000
See more on IMDbPro »

Company Credits

Production Co:

 »
Show more on  »

Technical Specs

Runtime:

Sound Mix:

(35 mm magnetic prints)| (70 mm prints)

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Ann Turkel turned down a featured role in this. See more »

Goofs

The chanting crowd in Tokyo, Japan mispronounces the name of their city. They chant "To-ki-o" instead of "Tô-kyô." Perhaps in this alternate future, dialect has changed. See more »

Quotes

[first lines]
Pregame announcer: Good evening everyone! And welcome to Houston, the energy city, home of the defending Rollerball World Champions. This key international battle pits the divisional champions, visiting Madrid, against powerful Houston. - - And here they come to a standing ovation. On the track comes Houston! Houston, lead by captain Jonathan E, again their leading scorer this year.
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Connections

Remade as Rollerball (2002) See more »

Soundtracks

Waltz
(uncredited)
from ballet "Sleeping Beauty"
Composed by Pyotr Ilyich Tchaikovsky
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Frequently Asked Questions

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User Reviews

Action-packed and insightful.
24 July 2004 | by See all my reviews

Rollerball is another of those great 70's cult sci-fi films. It features a great cast of actors and a smart script. It was notorious at the time for its violence, although that was greatly exaggerated in comparison to some professional sports and entertainment. It features a futuristic reimagining of the Roman Empire, with gladiatorial games to distract the populace from their bleak existence. It also predates cyberpunk literature, with ts depiction of a world controlled by powerful conglomerates, a world not too different from the present one.

James Caan is fantastic as Johnathan E, the Michael Jordan of Rollerball. He continues to succeed in a sport designed to show the futility of individual effort. The sport is constantly changed to stop him, yet he continues to overcome every obstacle.

John Housman is electrifying as the head of the Energy Corporation, owners of the Houston Team. He has conspired with his peers to keep the masses down and use this sport to both distract them and show them that the individual can't succeed. He grows more desperate as Johnathan E defeats his schemes. He tries every trick without success.

The supporting cast is filled with great actors, like Moses Gunn, John Beck, Sir Ralph Richardson (not John Gielgud, as one reviewer stated), Maude Adams, and Shane Rimmer.

The film demonstrates that the individual can triumph over insurmountable odds and cautions against corporate control of society. It uses both allegory and speculation beautifully, and packages it with thrilling action. The remake was destined for failure because it couldn't see beyond the action. The action was only window dressing for the greater themes. If only more recent sci-fi films were this thought-provoking, or other films for that matter.


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