On a wild and rain-swept late-November evening, somewhere at an empty stretch of road outside Ohio's merry Denton, the blissfully-affianced, prudish, and boringly innocent young pair of Brad Majors and Janet Weiss find themselves stranded on their way to visit an ex-tutor. Instead, the couple will inadvertently unearth the cross-dressing Dr Frank-N-Furter's spooky lair of inexhaustible oddities, just in time to partake in the out-of-this-world mad scientist's proud unveiling of his latest, delightfully extravagant, and most daring creation--the ultimate male and the perfect sex symbol: the flaxen-haired, Rocky Horror. But, little by little, as the effervescent transgressive force gobbles up whole the unsuspecting visitors of the night, Brad and Janet slowly begin to embrace the potent fascinations of seduction, while an idolised Rocky roams free in the mansion. Who can interrupt man's union with the absolute pleasure?Written by
The song "I Can Make You A Man" was inspired by Charles Atlas muscle ads from the 1940's and 1950's often with the slogan: "In just seven days, I can make you a man". Similarly, writer Richard O'Brien took the line: "Don't dream it, be it" from the back of a magazine. See more »
As Eddie is riding his motorcycle around after his song, his black eye changes from his left to his right. See more »
Janet Weiss - A Heroine:
Touch-a touch-a touch-a touch me / I wanna be dirty! Chill me, thrill me, fulfill me / Creature of the night!
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After all the end credits, the theme music stays playing for 40 seconds while screen is black See more »
15th Anniversary VHS release from 1990 includes documentary footage of Rocky Horror fans before the film, plus more footage of Rocky Horror audiences dancing to 'The Time Warp' after the film. See more »
Moving on from the riotous cult stage show which was born in a small studio theatre in the early 70s, this movie version is a well-cast, outrageous romp showcasing the absurdity and sci-fi obsession of Richard O'Brien's inventive musical.
The small cast - the wonderful Tim Curry as Frank 'n Furter (the sweet transvestite from transsexual Transylvania'); Barry Bostwick and Susan Sarandon as the odd science students Brad and Janet; Patricia Quinn as Magenta ('a domestic'); Little Nell as Columbia ('a groupie'), Jonathan Adams as Dr Scott; Meat Loaf as Eddie; Richard O'Brien himself as the handyman Riff Raff; Peter Hinwood as the muscle man Rocky, created by Frank in a spoof on Frankenstein; and Charles Gray having a great time as the Criminologist - are all really good, and the songs are terrific, from the madness of 'The Timewarp' and 'Sweet Transvestite', to the ethereal 'There's a Light' and 'I'm Going Home', by way of the rocky 'Whatever Happened To Saturday Night?' and the film-reference heavy 'Science Fiction Double Feature'.
Great, great fun and the floor show sequence in particular, showcasing Frank's obsession with Fay Wray and the RKO cheapies, is exceptional, with its statues in basques and its huge swimming pool. Trash, yes, but classy trash, and most enjoyable.
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