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Deep Red (1975)

Profondo rosso (original title)
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2:43 | Trailer

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After witnessing a brutal murder, a pianist is unsuspectingly pulled into a complex web of mystery.

Director:

Dario Argento
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Popularity
3,955 ( 456)
1 win & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
David Hemmings ... Marcus Daly
Daria Nicolodi ... Gianna Brezzi
Gabriele Lavia ... Carlo
Macha Méril ... Helga Ulmann
Eros Pagni Eros Pagni ... Supt. Calcabrini
Giuliana Calandra ... Amanda Righetti
Piero Mazzinghi Piero Mazzinghi ... Bardi
Glauco Mauri ... Prof. Giordani
Clara Calamai ... Marta
Aldo Bonamano Aldo Bonamano ... Carlo's Father
Liana Del Balzo Liana Del Balzo ... Elvira
Vittorio Fanfoni Vittorio Fanfoni ... Cop Taking Notes
Dante Fioretti Dante Fioretti ... Police photographer
Geraldine Hooper Geraldine Hooper ... Massimo Ricci
Jacopo Mariani Jacopo Mariani ... Young Carlo (as Iacopo Mariani)
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Storyline

A psychic who can read minds picks up the thoughts of a murderer in the audience and soon becomes a victim. An English pianist gets involved in solving the murders, but finds many of his avenues of inquiry cut off by new murders, and he begins to wonder how the murderer can track his movements so closely. Written by Ed Sutton <esutton@mindspring.com>

Plot Summary | Plot Synopsis

Taglines:

from the creator of SUSPIRIA See more »


Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Italy

Language:

Italian | German

Release Date:

11 June 1976 (USA) See more »

Also Known As:

Deep Red See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (R-rated) | (export)

Sound Mix:

Mono | 4-Track Stereo (Japan theatrical release)

Color:

Color (Eastmancolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The shooting of the movie started September 9th 1974 and took 10 weeks. See more »

Goofs

The wires controlling the bird are visible when it flies into the knitting needle. See more »

Quotes

Carlo: Look, maybe you've seen something so important you can't realize it.
Marcus Daly: But... I'm just trying to understand, because...
Carlo: You know, sometimes what you actually see and what you imagine... get mixed up in your memory like a cocktail... from which you can no longer distinguish one flavor from another.
Marcus Daly: But I'm telling you the truth!
Carlo: No, Marc. You think you're telling the truth, but in fact... you're telling only your version of the truth. It happens to me all the time.
See more »

Crazy Credits

"You have just seen Deep Red." See more »

Alternate Versions

The full-length Italian version (with English subtitles and one small cut by UK censors) is available on video in the UK in pan & scan format from Redemption Films. The only known widescreen print of this version can be found in Australia completely uncut on both SBS-TV and its pay-TV channel World Movies. Note that the widescreen laserdisc release is in English language and was cut by director Argento himself by about 12 minutes. See more »

Connections

Featured in Horror Europa with Mark Gatiss (2012) See more »

Frequently Asked Questions

See more »

User Reviews

 
It Even Has An Intriguing Story
18 October 2005 | by LechuguillaSee all my reviews

As with other Argento giallos, the accent in "Deep Red" is on the visuals: the artsy sets, the garish lighting, the tendency for the camera to dwell on brutal details. Images are stark, with high contrast in lighting. And there's lots of visual symmetry. Emotionally, "Deep Red" is cold, entirely appropriate, given that the theme relates to the psychological coldness of a killer.

But unlike "Suspiria", wherein the story is almost irrelevant, "Deep Red" has an intriguing premise, with a plot that, although slow to get going, is nevertheless coherent, and builds to a riveting finale. I was quite surprised at who the killer was. Clues are very subtle, but they're there, if you know where to look. There's a nifty plot twist toward the film's end. I like the visuals in all of the Argento films I have seen. But "Deep Red", more than others, has a better developed story line. As such, the film is my second favorite Argento giallo. My personal favorite is "The Bird With The Crystal Plumage".

Weak dialogue and weak characterization permeate Argento's films. But his fans don't seem to mind. I certainly don't. What I did find annoying in "Deep Red" was the background music. Most viewers like the sound of Goblin. But to me, the music was too frantic, and not really suitable for a thriller.

There are few contemporary horror films that compare to those of Dario Argento. His giallos are: Gothic, brutal, impressionistic, artistic, and sometimes surreal. "Deep Red" is one of the best.


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