A jazz pianist and a wisecracking journalist are pulled into a complex web of mystery after the former witnesses the brutal murder of a psychic.A jazz pianist and a wisecracking journalist are pulled into a complex web of mystery after the former witnesses the brutal murder of a psychic.A jazz pianist and a wisecracking journalist are pulled into a complex web of mystery after the former witnesses the brutal murder of a psychic.
- Awards
- 1 win & 1 nomination
- Young Carlo
- (as Iacopo Mariani)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaCo-writer Bernardino Zapponi said the inspiration behind the murder scenes came from him and Dario Argento thinking of painful injuries that the audience could relate to. Basically, not everyone knows the pain of being shot by a gun, but everyone has at some point accidentally struck furniture or been scalded by hot water.
- GoofsWhen Helga Ulmann is introduced during the séance, she is said to be Lithuanian. When her murder is announced on the TV later in the film she is said to be German, which would explain her talking in German on the telephone just before the murder.
- Quotes
Helga Ulmann: It was - I can't explain it - something strange and sharp, like the prick of a thorn. It upset me, but it's all right now.
[Gasps]
Helga Ulmann: I can feel death in this room! I feel a presence, a twisted mind sending me thoughts! Perverted, murderous thoughts... Go away! You have killed! And you will kill again!
- Crazy credits"You have just seen Deep Red."
- Alternate versionsOriginal Italian version is 120 minutes long. Most US versions remove 22 minutes worth of footage mostly for pacing, including some graphic violence, all humorous scenes, almost all of the romantic scenes between David Hemmings and Daria Nicolodi and part of the subplot regarding the house of the screaming child.
- ConnectionsFeatured in Il mondo dell'orrore di Dario Argento (1985)
- SoundtracksSchool At Night (Lullaby)
(uncredited)
Composed by Giorgio Gaslini
Orchestrated by Giorgio Gaslini
Conducted by Giorgio Gaslini
[Played by killer on tape recorder]
Demonstrates a Maturation of Style and Presentation that would, along with Mario Bava, Create the Template for the Slasher and Gore Movies.
That Others could Barely Approach.
An Audacious Use of Staging, Editing, and Violence (always containing "Deep Red" Gore).
Along with Pulse-Pounding Music (usually from the Heavy Sounds of the Group "Goblin"),
was So Strikingly and Shockingly Different that the Films, and Therefore the Creator Argento were Celebrated Universally as a "New Wave".
Having Virtually Invented the "Giallo" (Italian for Yellow that "adorned" the lurid sex and crime paperbacks in Europe) Genre.
Argento Didn't Stop There.
"Giallo" Category Tropes Included a Black-Leather Gloved Serial-Spree-Killer Yielding a Variety of "Killer" Weapons...
Knives, Hatchets, Scissors, Razors, etc.
The Killer's Identity was the Mystery, Usually Filmed Obliquely and Usually Clad in a Dark Rain-Coat.
Argento's First Film, "The Bird with the Crystal Plumage" (1970) Set the Stage.
On What was to Follow in the World of Italian, and then World-Wide Horror.
This Movie, and Mario Bava's "Bay of Blood" (1971) would be Mirrored ad Nauseum in the Slasher Craze.
But Very Few Reached the Pinnacle of Entertaining and Artistic Panache, or Approach the Outrageousness of Argento or Bava.
Many would See Argento's Auteur Accomplishments Reach its Zenith with His Next Film "Suspiria" (1977) as His Masterpiece.
Some Critics and Fans have Proclaimed "Deep Red" as a Better Movie.
But No Matter what Opinion You Have of the 2 Seminal Works, it is Assured that Once You See an Argento Film,
You are Unlikely to Forget it.
- LeonLouisRicci
- Aug 11, 2021
Details
Box office
- Gross worldwide
- $67,532
- Runtime2 hours 7 minutes
- Sound mix
- Aspect ratio
- 2.35 : 1
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