A newspaper reporter and a retired, blind journalist try to solve a series of killings connected to a pharmaceutical company's experimental, top-secret research projects and in so doing, both become targets of the killer.
A young man tries to help a teenage European girl who escaped from a clinic hospital after witnessing the murder of her parents by a serial killer and they try to find the killer before the killer finds them.
A psychic who can read minds picks up the thoughts of a murderer in the audience and soon becomes a victim. An English pianist gets involved in solving the murders, but finds many of his avenues of inquiry cut off by new murders, and he begins to wonder how the murderer can track his movements so closely.Written by
Ed Sutton <email@example.com>
The shooting of the movie started September 9th 1974 and took 10 weeks. See more »
When Marc is exploring the old mansion, we see some white dust in his shirt even before he scratches the wall, revealing the drawing and liberating such white dust. See more »
What was that?
might somebody be getting raped.
[Even longer pause, raises wineglass]
Hail to the raped virgin
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There is a new 4K digital release of the film restored from the original camera negative and other high-quality film elements, which was used for Arrow Video's Blu-Ray release. It is in Italian with English subtitles and is Dario Argento's complete director's cut, including the final shot of David Hemmings looking into the pool of blood being played in motion, rather than as a still. See more »
It is a very difficult job for me to pick between this and Suspiria as Argento's best work. Both are masterpieces in their own right. Deep Red is about a man that sees a murder committed and then tries to unravel the mystery of finding the killer. David Hemmings does a fine job in the lead as he walks the streets of an Italian city in search of this homicidal killer. As with most of Argento's work, the viewer should not try to make too much sense out of the plot, but rather enjoy the rich subtext and visual tapestry with which Argento paints the screen. The killings, most notably done with a hatchet, are inventive and decidedly gruesome. More than one time I found myself jump and wince(I suppose those are good things!) The acting, even though most dubbed, is very good. The set locations are very atmospheric as well. Argento's camera, however, is the principal character as it shows us all kinds of images related to plot and otherwise and reached into our subconscience for real meaning. This is first and foremost a visual film, and it certainly shows Argento's homage to his mentor's work, the films of Mario Bava.
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