At Zabriskie Point, United States' lowest point, two perfect strangers meet; an undergraduate dreamer and a young hippie student who start off an unrestrained romance, making love on the dusty terrain.
The movie director Niccolo has just been left by his wife. This gives him the idea of making a movie about women's relationships. He starts to search for a woman who can play the leading ... See full summary »
A hunted man breaks into the castle at Oberwald to kill the Queen, but faints before doing so. He is Sebastian, the splitting image of the King who was assassinated on his wedding day. The ... See full summary »
Made of four short tales, linked by a story filmed by Wim Wenders. Taking place in Ferrara, Portofino, Aix en Provence and Paris, each story, which always a woman as the crux of the story, ... See full summary »
A journalist researching a documentary in the Sahara Desert meets a gunrunner who dies suddenly. When the journalist notices that they have a similar appearance, he assumes the recently deceased's identity and accepts the consequences that it brings.Written by
Jack Nicholson has said publicly that "The Passenger " is among his most favorite of his own films. Nicholson actually acquired the rights to the film from MGM (in compensation for a film project that fell through), and he was the principal figure behind the film getting a DVD release. See more »
Who are you?
I used to be someone else, but I traded him in. Uh, what about you?
Well, I'm in Barcelona. I'm talking with someone who is somebody else.
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Michelangelo Antonioni's first cut of the film was four hours long. He then reduced it to two hours twenty minutes before further cutting it down to two hours following pressure from MGM. See more »
One of Jack Nicholson's best but also least known films, `The Passenger' or `Professione: Reporter' is a haunting examination of the desire to escape and start afresh and is without doubt Antonioni's best English language film, eclipsing both `Blowup' and `Zabriskie Point'. Nicholson's role as a world-weary television journalist (David Locke) isn't a particularly demanding one but it is fascinating to see him give a performance so different from anything else we have seen from him and one which is much better than the horny little devil efforts he has sadly specialised in since `One Flew Over the Cuckoo's Nest'.
Some may find the opening twenty minutes of the film, where there is virtually no dialogue, hard-going but this perfectly illustrates the sparse and confusing environment of the North African desert where the film begins. We are also treated to a marvellous scene between Locke and the man whose identity he later assumes where a tape recording and flashback are ingeniously merged into one and then separated again. Antonioni creates a mood that is almost indefinable throughout, a kind of hollow detachment which is exactly the perspective that Locke has on the world which has gradually worn him down yet the director still manages to conjure up power and simple romance between Locke and the girl he meets who is played by Maria Schneider. The film was not a hit at the box-office which is not surprising considering it's uncommercial style but artistically and cinematically it is a triumph of innovation.
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