Guests arrive at an expensive private guest house on a remote island near Sydney. The guest house and weird activities, like theatre sports and orienteering, are run by a leery eccentric. ... See full summary »
A young couple, living in a campus apartment complex, are repeatedly harassed by an eccentric plumber, who subjects them to a series of bizarre mind games while making unnecessary repairs to their bathroom.
Three students and a school teacher disappear on an excursion to Hanging Rock, in Victoria, on Valentine's Day, 1900. The movie follows those that disappeared, and those that stayed behind, but it delights in the asking of questions, not the answering of them. Even though both the movie and the book it was based on claim to be inspired by real events, the story is completely fictional.Written by
David Carroll <email@example.com>
The film was made and first released about seventy-five years after the time that both this motion picture and its source novel were set in the year of 1900. See more »
Although accurately following the book (and a good indication that this is indeed a fictional story), to make the days & dates actually match up you need to either move to 1903 or 1874, as those are the closest years that had Feb 14 on a Saturday (and March 27 on a Friday) See more »
What we see and what we seem are but a dream, a dream within a dream.
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The director's cut deletes several scenes from the original release version:
Irma thanking Albert for finding her and Michael's growing relationship with Irma, climaxing in his demanding to know what happened at the Rock.
a brief sequence inside the church during the memorial service of the girls crying.
Mrs Appleyard removing some of Sarah's belongings at night after her disappearance. There are two very minor additions:
A brief sequence of a photographer getting a picture of the school before being shooed off.
A smoother introduction to the scene where Albert tells Michael of his dream of Sarah, beginning with Michael telling him how he often dreams of the Rock.
This is mesmerizing film with a cipher at its center. Less is more. I am amused at some of the comments. There seem to be two types: those which depict the movie as "beautiful, ethereal and subtle" and those which depict the film as "too symbolic, too slow, boring, too 70's."
The point is, there is no point. The central vision of the film is enigma, the void, mystery. This seems to make a lot of explainers uncomfortable, but the use of emptiness at the core of a work of art is nothing new. "The hand that erases writes the true thing" Faulkner's masterpiece "The Sound and the Fury" is about a character who is absent. The characters that surround her, and who actually people the novel? Not all there, lacking, disintegrating, unknown, unwanted, unloved.
If there must be a meaning, it is that nothingness is the biggest threat of all. "I will show you fear in a handful of dust" We fear our disappearance. We'd like to believe that our little lives, our little comments, our little film lists will endure forever. But they won't. Nothing will.
what is existence? a random ever-changing collection of energized particles.
At any point, we can cross the line into nothingness. Nature will subsume us.
The film "A Passage to India" had the same theme. It was NOT essentially a movie about rape or sex scandal. It was about the yawning pitch-black eternal emptiness of the caves. It drove two women mad. Nature as an amoral uncaring unmoveable eternal reality.
Just as Picnic was NOT about repressed Victorian sexuality. These were pretexts, and were utilized because the fear of sex is the fear of letting go. The fear of sexuality leads irrestibly to our main fear: that darkness, emptiness, and the powers of nature will overwhelm us and erase us.
In Picnic, there was no villain, no enemy, no fall guy, no perpetrator, process or predicament that we could blame for the girls' disappearance. They simply disappeared. And that is the scariest nightmare of all.
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