Francois always despised the textile barons who ruled his local town. But he fell in love with the family heiress Gilberte. Ten years ago, he would have married her. Now only hatred holds them together. Francois is accused of murder. A hooker and a football star lie slaughtered. He thinks he has been framed by the mob. Going underground, he finds that the trail leads all the way to the top - to ... See full summary »
L'Alpagueur is a free-lance spy from the French secret agency. He's put on the investigation about L'epervier, a serial-killer who employs young boys to help him robbing banks before ... See full summary »
Victor Vautier is incorrigible: he's in constant motion, working several cons at once, using different names and changing disguises. He's charming and outrageous, incapable of uttering a ... See full summary »
Francois Merlin is an espionnage-book writer. He likes to mix every-day character he can met in his book. In his book, he is Bob Saint Clar, his neighbour Christine appears as Tatiana and ... See full summary »
Albert is an inn owner who vowed never to drink again if he and his wife survived the war. They did, and the reformed alcoholic keeps his vow. But times have changed and soon after the war,... See full summary »
A serial killer frightens Paris by phoning young ladies at night, telling them insults about their lives. Minos, as he calls himself, wants to prevent the world from free women and so he targets them. Commissaire Letellier is given the investigation and has a hard time with the maniac.Written by
Frederic Villemin <firstname.lastname@example.org>
Jean-Paul Belmondo's character, a Paris police inspector, wears a new Rolex Daytona watch, which at the time would have cost about $2000 US. This is far more than any honest Paris police inspector could have afforded. Today, in good condition, the watch sells for more than $25,000. See more »
During the chase of Minos on the roofs, Letelier and Minos are on the Galeries Lafayette store roof. When Letellier lost Minos, he leaves a building that is supposed to be closed to the store? In reality, he couldn't arrive in this street by the roof because there's a street between the two buildings. See more »
There are many different run times for this film. The Euro versions run the longest and the US/UK versions (known as The Night Caller)run the shortest. However "The Night Caller" contains some footage not seen in the longer running time versions. The US version runs 91 minutes while the UK version runs about a minute shorter (with some violence cut out.) See more »
What we have here is a crime thriller that includes most of the clichés of the genre, but does it in such a way that it feels original due to the execution. Henri Verneuil's film is really not what I was expecting it to be at all; it's actually a lot more than just a film about cops hunting a vicious psychopath and while not everything about the film works, what does work works brilliantly and this is certainly among the best European crime thrillers of the 1970's. The film is a French and Italian co-production, and while it's clear that the film is much more French than Italian; we still get some trademarks of Italian cinema thrown in and the film has elements of both the Polizi and Giallo genres. The plot simply focuses on an unknown serial killer that targets loose women in Paris by way of phone calls and later murder. Commissioner Jean Letellier and Inspector Moissac are put on the case and have to go through the Parisian underworld before coming close to catching the killer and discovering his insane reason for murdering the women of Paris.
The thing that really makes this film stand out is the leading performances courtesy of Jean-Paul Belmondo and Charles Denner. The pair fit into their roles excellently individually and have a great chemistry also, which director Henri Verneuil is keen to exploit as much as possible as the two actors provide the film with most of its best moments and also deliver some comedy. The film is not overly gory and the focus is never on the murders; although there are a few featured and the way that the director focuses on the killer's black gloves is a nice nod towards Giallo. The film features many of the crime film staples such as car chases and shootouts; a sequence that sees the main protagonist chase the killer in the middle of the film is excellently staged and very thrilling. The film changes pace many times throughout but the director always manages to keep things interesting. Adalberto Maria Merli's portrayal of the villain is suitably demented and detestable and the way that the film boils down towards the conclusion is well done and completely unexpected. Overall, this is an excellent film that doesn't deserve to be forgotten about and therefore comes highly recommended!
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