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Nashville (1975)

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Over the course of a few hectic days, numerous interrelated people prepare for a political convention as secrets and lies are surfaced and revealed.

Director:

Robert Altman

Writer:

Joan Tewkesbury
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Won 1 Oscar. Another 22 wins & 25 nominations. See more awards »

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Cast

Cast overview, first billed only:
David Arkin ... Norman
Barbara Baxley ... Lady Pearl
Ned Beatty ... Delbert Reese
Karen Black ... Connie White
Ronee Blakley ... Barbara Jean
Timothy Brown ... Tommy Brown
Keith Carradine ... Tom Frank
Geraldine Chaplin ... Opal
Robert DoQui ... Wade (as Robert Doqui)
Shelley Duvall ... L. A. Joan
Allen Garfield ... Barnett
Henry Gibson ... Haven Hamilton
Scott Glenn ... Pfc. Glenn Kelly
Jeff Goldblum ... Tricycle Man
Barbara Harris ... Albuquerque
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Storyline

Five days in the Nashville country and gospel music scene, filled with stars, wannabe stars, and other hangers-on - individual stories of this small group intertwined - provides a commentary on American society. The stars include: good ol' boy Haven Hamilton, whose patriotic songs leading up to the American bicentennial belie his controlling and ruthless nature; Barbara Jean, the country music darling who is just returning to Nashville and performing following recovery from a fire-related injury which may have taken more of an emotional toll than a physical one; and good looking and charismatic Tom Frank, one-third of the successful group Bill, Mary, and Tom, he who is trying to go solo, which masks his need to not be solo in his personal life as he emotionally abuses woman after woman in love with him, including Mary who is married to Bill. The wannabe stars include: Albuquerque, whose real name is Winifred, who is trying to run away from her husband Star in he not approving of her ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

The damnedest thing you ever saw! See more »

Genres:

Comedy | Drama | Music

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

21 September 1975 (UK) See more »

Also Known As:

Nashville, i polis ton ekplixeon See more »

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Box Office

Budget:

$2,200,000 (estimated)

Gross USA:

$9,984,123
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

4-Track Stereo (magnetic prints)

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Robert Altman originally wanted Susan Anspach to play Barbara Jean, but she refused because she wanted more money. Ready to film in Nashville with no one cast in the role, Altman at the last minute offered it to Ronee Blakley, who was working as a back-up singer in Nashville at the time and had contributed some songs to the film. Blakley ended up receiving an Academy Award nomination for her performance. See more »

Goofs

When the Mercedes bus (model O 309) breaks the gate-arm at the Nashville Airport (21:00 in), there is clear right-front damage, the bumper is bent, headlight broken, and there is no sign on the right side of the bus. But, at the freeway accident scene (22:12 in; on I-24 near Shelby Avenue), the passengers act like the damage just happened (saying: "Oh no." And looking at the damage), and now there is a sign on the right side that reads: "Connie White" and has her image. See more »

Quotes

Opal: I am not the press! I'm from the BBC.
See more »

Crazy Credits

In the opening credits, the featured actors and actresses are announced by a radio deejay as though they were country music stars. See more »

Connections

Featured in Indie Sex: Censored (2007) See more »

Soundtracks

Down to the River
Music and Lyrics by Ronee Blakley
Performed by Ronee Blakley
See more »

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User Reviews

 
One of the greatest films of its era.
15 May 2004 | by gittes98See all my reviews

Can't believe I've taken this long to reply re: Nashville. It is simply the movie that has had the biggest influence on my life since I first had the honor of viewing it one hot August day in Seattle in 1975. Leaving the theatre dazed, numbed and shattered, in a way only a truly great work of art is able to accomplish, at having seen something so unique and so powerful it helped this then 21 year old Canadian see life and the possibility of film in an entirely different light. That's a pretty lofty thing for a movie to do, but Nashville is the most defining movie of my lifetime, the one that all others were judged by or compared to. Over the years I have viewed this movie countless times in second-run, revival houses, and even on television where it's impact is of course diluted by commercials and indifferent presentations It was the first movie I bought on DVD, even before I owned a player and have scoured newspapers, books and magazines long before the access of the internet to read everything available on this film. Unfortunately, Nashville's reputation suffered during the dark years of the 1980-90s (the complete exclusion from the AFI's list of 100 greatest films of all time was especially vexing but rallied a bit with its availability on DVD. True, it is a love it or hate it movie, most great works of art do bring out these strong emotions and I have experienced both during the close to 30 years since the movie's release, but for those of us who love it, there are very few others that compare.


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