After a Senator suddenly dies after completing (and sealing) an investigation into the nuclear power industry, the remaining Senator and the state Governor must decide on a person who will ... See full summary »
After Billy Jack in sentenced to four years in prison for the "involuntary manslaughter" of the first film, the Freedom School expands and flourishes under the guidance of Jean Roberts. The... See full summary »
The story of a small-town football star, Chris Wotan, who defies society, morals and his God and gets into so much trouble that he is expelled from school. Told in flashbacks, usually in ... See full summary »
William Wellman Jr.
Greg Callan's cousin, David Callan top agent/assassin for the S.I.S., was forced to retire because he had lost his nerve. Now, Callan is called back into service to handle the assassination... See full summary »
An ex-professional boxer (O'Neal) tries to make a new start when teaming up with a fast talking but ageing hoodlum (Ceaser) and an ex-call girl (Frazier) but soon get more than they ... See full summary »
Grizzled American private detective in England investigates a complicated case of blackmail turned murder involving a rich but honest elderly general, his two loose socialite daughters, a pornographer and a gangster.
Thinly disguised account of the relationship between radical black activist Angela Davis and Black Panther and prison inmate George Jackson, who was one of those killed in a failed 1971 prison breakout.
The film begins with the words "Billy Jack Rights Presents" appearing on the screen. This relates to Tom Laughlin and Delores Taylor's production company, Billy Jack Enterprises. After the prologue narration, it is followed two minutes later by "Billy Jack Enterprises Presents", which starts the opening credits. Neither means this film is in the "Billy Jack" series of movies. See more »
Even more brainless than the usual Tom Laughlin film
This movie apparently takes place in pre-Civil War California and everybody rides horses instead of Harleys, but other than that it's a typical Laughlin film, except even dumber. Laughlin plays a guy who is trying to save local Indians from being sold into slavery. It's difficult to figure out who exactly the bad guys are, because Laughlin kills whites, blacks, Mexicans, Indians, rich, poor . . . in fact, he blows away just about everybody (in the name of justice and equality, of course). Laughlin's idea of conveying anger (the only kind of emotion he shows in the picture) is to grit his teeth, talk slow and appear to be constipated. He carries an odd kind of shotgun/pistol (which didn't exist at that time, but why quibble...) and a samurai-type sword and proceeds to use both on everyone within eyesight. Fred Williamson, usually a reliable actor, also conveys a lot of anger, but it's probably directed at his agent or whoever got him to agree to do this movie. The story bounces around and goes off into every tangent possible, the "acting" is generally atrocious, the photography at times is so dark it's hard to see anything. Laughlin was apparently trying to make an "anti-Western", but in one respect he falls back on a bit that a lot of B westerns did: he manages to fire a limitless number of rounds from a six-shooter without reloading. Then again, maybe it's supposed to be an early version of a machine gun; that would make about as much sense as anything else in this picture . . .
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