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IMDbPro

Mandingo

  • 19751975
  • K-16K-16
  • 2h 7m
IMDb RATING
6.4/10
3.9K
YOUR RATING
POPULARITY
8,990
634
Mandingo (1975)
An 1840s slaveowner trains one of his slaves to be a bare-knuckle fighter.
Play trailer3:17
1 Video
19 Photos
DramaHistoryRomance

An 1840s slaveowner trains one of his slaves to be a bare-knuckle fighter.An 1840s slaveowner trains one of his slaves to be a bare-knuckle fighter.An 1840s slaveowner trains one of his slaves to be a bare-knuckle fighter.

IMDb RATING
6.4/10
3.9K
YOUR RATING
POPULARITY
8,990
634
  • Director
    • Richard Fleischer
  • Writers
    • Kyle Onstott(novel)
    • Jack Kirkland(play)
    • Norman Wexler(screenplay)
  • Stars
    • James Mason
    • Susan George
    • Perry King
Top credits
  • Director
    • Richard Fleischer
  • Writers
    • Kyle Onstott(novel)
    • Jack Kirkland(play)
    • Norman Wexler(screenplay)
  • Stars
    • James Mason
    • Susan George
    • Perry King
  • See production, box office & company info
    • 77User reviews
    • 49Critic reviews
  • See more at IMDbPro
    • Awards
      • 1 nomination

    Videos1

    Official Trailer
    Trailer 3:17
    Official Trailer

    Photos19

    Susan George and Ken Norton at an event for Mandingo (1975)
    Perry King and Ken Norton at an event for Mandingo (1975)
    Susan George and Ken Norton at an event for Mandingo (1975)
    Perry King and Ken Norton at an event for Mandingo (1975)
    Mandingo (1975)
    Ken Norton in Mandingo (1975)
    Mandingo (1975)
    Mandingo (1975)
    Mandingo (1975)
    Mandingo (1975)
    Mandingo (1975)
    James Mason, Susan George, Perry King, and Ken Norton in Mandingo (1975)

    Top cast

    Edit
    James Mason
    James Mason
    • Warren Maxwell
    Susan George
    Susan George
    • Blanche Maxwell
    Perry King
    Perry King
    • Hammond Maxwell
    Richard Ward
    Richard Ward
    • Agamemnon
    Brenda Sykes
    Brenda Sykes
    • Ellen
    Ken Norton
    Ken Norton
    • Mede
    Lillian Hayman
    • Lucrezia Borgia
    Roy Poole
    Roy Poole
    • Doc Redfield
    Ji-Tu Cumbuka
    Ji-Tu Cumbuka
    • Cicero
    Paul Benedict
    Paul Benedict
    • Brownlee
    Ben Masters
    Ben Masters
    • Charles
    Ray Spruell
    • Wallace
    Louis Turenne
    Louis Turenne
    • De Veve
    Duane Allen
    • Topaz
    Earl Maynard
    • Babouin
    Beatrice Winde
    • Lucy
    Debbi Morgan
    Debbi Morgan
    • Dite
    • (as Debbie Morgan)
    Irene Tedrow
    Irene Tedrow
    • Mrs. Redfield
    • Director
      • Richard Fleischer
    • Writers
      • Kyle Onstott(novel)
      • Jack Kirkland(play)
      • Norman Wexler(screenplay)
    • All cast & crew
    • Production, box office & more at IMDbPro

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      James Mason admitted in interviews that he only made the film to make his alimony payments.
    • Goofs
      During Mede's first fight in the city, he and his opponent are wrestling on the grass. When they roll over on the floor, the grass moves like a slipping carpet would, revealing it to be a sheet of artificial green, probably lying on the floor of a sound stage.
    • Quotes

      Cicero: I'd rather die than be a slave. You peckerwood! That's tight, you peckerwoods was in oppressed in your own land. We was free. Then you brought us here, in chains. But now we here, you just better know it's as much our land as it is yorn. And after you hang me, kiss my ass!

    • Alternate versions
      The international version of the film (released on PAL region 2 DVD) contains a different cut of the film that runs approx. 5 minutes shorter than the U.S. release but also has many scenes presented in alternate clothed takes. In all 12 scenes were either trimmed or re-edited with alternate shots/angles/takes:
      • Scene where slave is bent over and inspected for hemorrhoids is cut.
      • Scene where the wench is being prepared for her deflowering is presented in an alternate take where her breasts are not exposed.
      • Scene with pregnant wench is shot with alternate angles to obscure nudity. Perry King's full frontal nudity is cut and replaced with a closer shot that reveals he is wearing shorts when he kneels down to pray (It looks like a goof - only a bit of the waistband can be seen at the corner of the frame).
      • Alternate takes of the slave being strung up to be beaten are used to obscure nudity, and many shots of him being beat and left bloody are cut.
      • A few seconds where Perry King's cousin rips off a wench's dress and bends her over to begin beating her is cut to remove nudity. The beating is left intact.
      • The slave market scene is edited to remove the topless wenches on display, and the shot where the German widow sticks her hand into Ken Norton's shorts and "inspects" him is cut short. The second shot with her hand in and then removing it is left intact though.
      • An alternate take is used with a prostitute clothed rather than nude at the bawdy house.
      • A few seconds of a prostitute rubbing on Perry King's crotch is cut.
      • An alternate take is used during the fight at the bawdy house so that a prostitute is seen holding her dress up while she cheers whereas in the original she lets it fall and her breasts be exposed.
      • The entire scene between Perry King and Brenda Sykes in which she asks him if he'll let their child go free is presented in alternate clothed takes. In the original film they are both completely nude. Even the camera angles and setups are the same, only with clothes in the international version.
      • In the scene where Ken Norton fights a man to death one long shot where the other fighter claws his back is cut. Also cut is when Ken bites down on the other fighter's neck, is pulled off, and then bites into his neck again. All the close-ups are cut.
      • The Susan George/Ken Norton love scene is almost entirely missing. Ken Norton's nudity is cut, and then the scene ends in an alternate take when the two go out of frame onto the bed. The original scene went on for much longer and exposed Ken Norton's buttocks and Susan George's breasts. The German theatrical version does not feature any of these alterations and is identical to the U.S. release.
    • Connections
      Edited into Afro Promo (1997)
    • Soundtracks
      Born in This Time
      Music by Maurice Jarre

      Lyrics by Hitide Harris (as Hi Tide Harris)

      Sung by Muddy Waters

      [Played during opening title and credits]

    User reviews77

    Review
    Review
    Featured review
    The 30th Anniversary
    Even some thirty years after its release,the motion picture Mandingo is mainly but not to be compared with films like Birth Of A Nation,or Triumph Of The Will that be contemplate objectionable content of the material while reluctantly allowing mitigating qualities relating to the vast subject matter and to this day,it still gives shock value. In spite of what some may say about Richard Fleischer's exploitative film,since it is still hardly a artistic landmark,and it not on the same level as his other masterpieces,although he has a brilliant career as one of Hollywood's most talented directors. This was the man who was responsible for some of the greatest films ever to be released from Hollywood. He was responsible for crime dramas(Armored Car Robbery,1950) (The Don Is Dead,1973),psychological thrillers(10 Rillington Place,1971) (The Boston Strangler,1968),Disney classics(20,000 Leagues Under The Sea,1954),historical dramas(The Vikings,1958),(Barabbas,1962),and the dramas that inflict the horrors of war(Tora! Tora! Tora!,1970),westerns (Between Heaven and Hell,1956),(Bandido,1957),(Che!,1969),musicals (Doctor Dolittle,1967),(The Jazz Singer,1980),and well as science fiction,(Fantastic Voyage,1966),and (Solvent Green,1973). Each of these movies were made with great professionalism since these films are still a pleasure to encounter and still holds up and some of the best entertainment value anywhere. However,Richard Fleischer's most controversial work,Mandingo still holds the title some 30 years later and still is as shocking as ever.

    Mandingo is very much a pulpy,lurid antebellum potboiler that really turns the fantasy world of a classic romanticized film like Gone With The Wind inside out,and to put in bluntly a slap in the face. For those used to the cozy image presented of the American South,this wasn't a Garden of Eden before the fall,but this was a nightmarish version of slavery that at the time audiences never seen,and the horrors of cruelty and in treatment of human beings became one of the most graphic and tarnished chapters in American History. Here this is a version of the Old South,which is nothing more than a turn on,where everybody seems to be sex-starved,slightly mad or depraved,or sometimes just plain knuckle headed. James Mason,in the nasir of his career,is a campily eccentric white massa,a slave breeder determined that his handsome randy young son(Perry King)settle down and provide the family with a new heir. King's got other things on his mind though,mainly a pretty slave wench(Brenda Sykes),his one true love. But he must contend with his daddy's wishes and soon courts and weds Southern belle Susan George,who is not all she seems,having very early on been deflowered by,of all people,her brother.

    When King turns a cold eye to his new bride,the lady seeks vengeance by lending to her bed to a good,faithful Mandingo slave(Ken Norton),who in fact has been so good and so faithful that he is now rewarded with the Old South's most prized possession:this blonde,light-eyed white woman! During the seduction scene,director Fleischer works hard at heating up the audience which the infamous sex scene was the center of the entire movie in which the scene almost became too close to an "X" rating at the time this film was release. This was in the year 1975,were the envelope was pushed into even deeper depths here,especially in a movie where the majority of the subject matter was presented. Later on in the story,the bride bears Norton's child,who is promptly done away with. Then Norton,young master King's favorite(on the plantation,Norton's a fighter of uncommon strength,a winner of all of the matches the master sets him up)receives yet another reward for his handiwork once his paternity is revealed(and this is towards the end of the movie):he's thrown into a huge caulderon of boiling water,then has a pitchfork shoved into him! These are but a few of the horrors in this gaudy terror of a film. There are several scenes that were shocking to watch:there's lynching and incest and molestation,blacks treated like animals by their white counterparts,in the depiction of slave auctions,since life on the plantation wasn't easy....it was living hell. Let's not forget lots of interracial sex,and the film had as many nude black women as the envelope was pushed even further into detail. Also to look out for,actor Paul Benedict,aka Mr. Bentley from The Jeffersons as the slave trader. Even,after thirty years after its release,its still shocking entertainment and very well politically incorrect,and for the year 1975,that is a lot to say about a movie that really angered a lot of its audiences-mainly African-Americans,who went to see it.
    helpful•16
    10
    • raysond
    • Dec 29, 2004

    FAQ1

    • What are the differences between the International Version and the US DVD/BD by Legend Films/Paramount?

    Details

    Edit
    • Release date
      • October 31, 1975 (Finland)
    • Country of origin
      • United States
    • Languages
      • English
      • French
    • Also known as
      • Bitmeyen Kavga
    • Filming locations
      • Houmas House Plantation - 40136 Highway 942, Burnside, Louisiana, USA
    • Production companies
      • Dino De Laurentiis Company
      • Paramount Pictures
    • See more company credits at IMDbPro

    Box office

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    • Gross US & Canada
      • $2,433,010
    See detailed box office info on IMDbPro

    Technical specs

    Edit
    • Runtime
      2 hours 7 minutes
    • Sound mix
      • Mono
      • 4-Track Stereo
    • Aspect ratio
      • 1.85 : 1

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