Tracy, an aspiring designer from the slums of Chicago puts herself through fashion school in the hopes of becoming one of the world's top designers. Her ambition leads her to Rome spurring ...
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Tracy, an aspiring designer from the slums of Chicago puts herself through fashion school in the hopes of becoming one of the world's top designers. Her ambition leads her to Rome spurring a choice between the man she loves or her newfound success.Written by
Renee Ann Byrd <byrdie@wyrdbyrd.org>
The final shot of the film (an overview of the crowd gathered to hear Brian's speech) shows Tracy rushing up to Brian and madly embracing him, but moments earlier they had already walked up to each other in the middle of that crowd and kissed. See more »
Quotes
Tracy:
The men love me, the women love me, the children love me... You're just jealous Brian 'cause no one loves you.
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This film is another vanity piece for the ultimate diva Diana Ross. This film is also a classic example of Berry Gordy's failed attempts to make Motown more than what it was, and that was one of the most influetial record companies in history. Gordy even went as far as to direct this film with mixed results. This is nothing but pure melodrama and Diana Ross overracts throughout the whole film. Only Billy Dee Williams and Jean-Pierre Aumont manage to do credible performances as the two men who love Ross' character and Anthony Perkins is at his creepy best as the psychotic photographer. Unfortunately, Diana Ross is wasted in this role, which tends to prove that she had only one good performance in her and, unfortunately, it was in her debut, Lady Sings the Blues.
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This film is another vanity piece for the ultimate diva Diana Ross. This film is also a classic example of Berry Gordy's failed attempts to make Motown more than what it was, and that was one of the most influetial record companies in history. Gordy even went as far as to direct this film with mixed results. This is nothing but pure melodrama and Diana Ross overracts throughout the whole film. Only Billy Dee Williams and Jean-Pierre Aumont manage to do credible performances as the two men who love Ross' character and Anthony Perkins is at his creepy best as the psychotic photographer. Unfortunately, Diana Ross is wasted in this role, which tends to prove that she had only one good performance in her and, unfortunately, it was in her debut, Lady Sings the Blues.