W. Bright (Burt Reynolds) is a robber with a heart of gold who travels the South knocking off banks and gas stations owned by a corrupt businessman. When he hijacks a car, he meets an aspiring country band, the Dixie Dancekings, led by Dixie (Conny Van Dyke). The two sides eventually take a liking to one another, especially after the Dancekings realize the size of Bright's thefts. Trailed by ... See full summary »
New York private eye Shamus McCoy likes girls, drink and gambling, but by the look of his flat business can't be too hot. So an offer of $10,000 to finds some diamonds stolen in a daring ... See full summary »
This film was Peter Bogdanovich's homage to musical comedies of the 1930s. A millionaire named Michael Oliver Pritchard III and a singer named Kitty O'Kelly meet and fall in love. Meanwhile... See full summary »
Two generations of men find themselves haunted by the presence of a spectral woman. When the son of one of the elderly men returns to his hometown after his brother's mysterious death, they attempt to unravel her story.
The meaning and relevance of this movie's title Lucky Lady (1975) is that it is the name of the boat that the lead characters use for running rum during the prohibition era 1930s. It does not refer to Liza Minnelli's character, Claire. See more »
Gee, it's so quiet in here you could hear a fish fart.
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The UK DVD is cut by 11 secs to edit a cockfight scene. See more »
Might be called "Sally Bowles Comes Home And Runs Liquor." Her character is almost a parody of her "Cabaret" role. Hackman is Buck Barrow with a comedy twist and Reynolds is perfecting that moron-suave character that he took to such heights in "At Long Last Love."
The film has the distinction of having had, if memory serves, three different endings. I saw the first in previews. A real curve ball in which the male leads get killed and Minelli is left bereft. They went back to the drawing board and the movie premiered with a tacked on scene shot much later which involved the three stars, with the tackiest of make-up jobs, rolling around in a bed in their "elderly" years. From what I can tell by watching it recently, they dropped that entirely and simply cut together some outtakes which they ran under the credits which give us the impression that everybody ended up okay.
There was also this mid-70's technique of film "flashing" which involved pre-exposing the stock to give the film a lighter, airier look. Taken to ridiculous extremes here, it almost looks as if someone just scratched up the lens faces with a Brillo pad.
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