Three sailors on leave (Joe, Al and Davy) head for Paris with one thing on their minds. Joe pursues chanteuse Colette D'Avril who proves to be more than she appears; Davy is pursued by sexy... See full summary »
Nick Bonelli, quarterback for Mid-State, proves himself an All American in the championship, but his parents die in an auto accident coming to the game. Nick decides to transfer to Sheridan... See full summary »
New York tourist Tony Curtis falls asleep on a Southern California beach on his first night in the West and wakes up to The New Phantasmagoria--catamarans, surfers (including a dog), ... See full summary »
For this same reason, Lepke would not have been called out of hiding to attend a meeting at Luciano's house. Lepke went into hiding in 1937 until 1939, and Luciano was in prison this entire time. See more »
[Lepke's last words before the FBI takes him in for questioning.]
Call Bernice. Tell her I'm gonna be a little late for dinner.
See more »
Brutal, straightforward bio-pic of the notorious Jewish gang boss. Writers Wesley Lau and Tamar Hoffs tell their sprawling story with fidelity to the headlines and nary a hint of what made this complicated mobster-cum-family man tick. (Curiously, there's never a mention of Lepke's infamous Murder Inc. operation, opting instead to concentrate on his drug trafficking and extortion enterprises.) Luckily, Tony Curtis' riveting performance fills in what the writers' have neglected, transforming Lepke Buchalter into a disturbingly three-dimensional character. Tossing off Yiddishisms with a sneer, keeping his impish smile to a minimum, he plays Lepke as a stone-faced ruthless street thug with a yen for power and conservative family values. It's as though Sidney Falco from "Sweet Smell of Success" had finally taken over J.J. Hunsecker's column. Whether snarling out death orders or tremulously asking his prospective father in law for permission to marry, Curtis invests the role with a skillful understatement (as well as a Bronx boy's veracity).
In the film's best scene, a queasy mixture of eroticism and complex emotions, Lepke is on the lam and holed up in a trollop's apartment. As the woman brazenly tempts him, Curtis silently and eloquently conveys the anguish of a lonely man struggling to remain faithful to his wife.
The director Menachem Golan is rarely this subtle, striving for ethnic texture and period color and overdoing both. Grubby hook-nosed Jews, swarthy pasta-eating Italians, and outsize Fedoras are shoved in our face. The violence is luridly overblown (a prostitute gets an ice pick thrust in her neck during lovemaking), and sometimes downright preposterous (a plate of spaghetti camouflages an explosive device). But just try to turn away from Curtis. With Anjanette Comer as Lepke's doting wife; Milton Berle, surprisingly restrained as her father; Barry Miller as the young Lepke; Vaughn Meader as an unlikely Walter Winchell.
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