L'important c'est d'aimer

Romy Schneider was absolutely right to consider this film as her major professional achievement. Thanks to Christopher Franck's remarkable adaptation from his own awarded novel LA NUIT AMERICAINE (not to be mistaken with Truffaut's well-known DAY FOR NIGHT) and to Georges Delerue's haunting soundtrack, Zulawski is here at his paramount, because his usual romantic excesses perfectly fit this time the subject. As for the cast, all the actors have never been so right in the part they've been chosen for : from Fabio Testi to Jacques Dutronc, from Klaus Kinsky to Claude Dauphin, not to mention Michel Robin. The scene in the bar, just after the theatrical premiere of Shakespeare's RICHARD III, when the whole crew reads the articles dedicated to their play, almost looks like a mirror of Zulawski himself, as most of his works have been misunderstood, if not definitely "killed" by the critics. if you happen to belong to the happy few who sincerely praise L'IMPORTANT C'EST D'AIMER, try to see some day the films that writer Christopher Franck personally directed from other novels of his about the same bohemian milieu, specially JOSEPHA, featuring Miou Miou & Claude Brasseur.