A traveling projection-equipment mechanic works in Western Germany along the East-German border, visiting worn-out theatres. He meets with a depressed young man whose marriage has just broken up, and the two decide to travel together.
On location in Portugal, a film crew runs out of film while making their own version of Roger Corman's Day the World Ended (1955). The producer is nowhere to be found and director Friedrich... See full summary »
The director Friedrich Monroe has trouble with finishing a silent b&w movie about Lisbon. He calls his friend, the sound engineer Phillip Winter, for help. As Winter arrives Lisbon weeks ... See full summary »
In 17th-century Salem, Hester Prynne must wear a scarlet A because she is an adulteress, with a child out of wedlock. For seven years, she has refused to name the father. A vigorous older ... See full summary »
Near the Eastern borders with the West Germany, Bruno, a solitary permanent citizen of the road and film projection equipment repairman, witnesses the sad sight of a VW beetle car storming straight into the River Elbe. However, after a while, the depressed driver, Robert, will instinctively accept an offer for a lift in Bruno's repair van, and just like that, an impromptu relationship will begin in the background of the gloomy German countryside, visiting dilapidated movie theatres for maintenance, one small town after another. No one really knows how long is the road that stretches out ahead of them, after all, the only thing that matters is one's commitment to a precious ideal.Written by
Merely 10 meters of dolly track were available for the production. See more »
The VW beetle driven into the Elbe river is not visible anymore when Robert reaches the waterside. Later after Bruno hands over an espresso to Robert, the beetle is shown as finally sinking. See more »
Opening credits provide the aspect ratio and other technical specifications of the film to come. See more »
Every American who came of age before reunification of East/West Germany should see this film. It encapsulates a time; a frame of mind. Perhaps its most important feature however, is the way it uses sparse cinematography, and spaces, both literal and figurative, to illustrate the moral and spiritual conditions of the protagonists. There are few films which demonstrate such a mastery of the art of the visual in storytelling. For those interested in the place of film in the broader social context, I'm Lauf Der Zeit provides countless wry observations. At least as important as The Last Picture Show. I am waiting for the definitive authorized DVD with subtitles. By far my favorite Wim Wenders film.
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