The beautiful O is taken by her boyfriend, Rene, to a bizarre retreat, where she is trained in bondage and sexual perversion. Rene discharges a personal debt by transferring possession of O...
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In 1940s Venice, after twenty years of marriage, a Professor and his younger wife witness the passion wane. Now, all that remains is to confess the rousing thoughts to an elaborate diary hoping to break free from ties and inhibitions.
A happily married 24-year-old woman who experiences an inexplicable, rather restless craving to finally live her life intensely, retells her extra-marital escapades to her husband intending to spice up their marriage.
Tinto Brass - The maestro of Italian erotica is back! Lies, subterfuge, betrayal and mischief - FALLO! is a collection of six stories based on the joys of sexuality and the eroticism of a new generation of women.
William De Vito
This is the story of a Sicilian woman that tries to have avidly as many sexual adventures as possible. She uses different identities and personalities, but she can't stop collecting ... See full summary »
Kitty runs a brothel in Nazi Germany where the soldiers come to "relax". Recording devices have been installed in each room by a power hungry army official, who plans to use the information to blackmail Hitler and gain power himself.
Teresa Ann Savoy
A young woman is writing a series of love letters, telling her lover the story of O, for his entertainment, but also, it seems, as a challenge. O is a fashion photographer, who falls for ... See full summary »
The beautiful O is taken by her boyfriend, Rene, to a bizarre retreat, where she is trained in bondage and sexual perversion. Rene discharges a personal debt by transferring possession of O to his step-brother, Sir Stephen...Written by
Was originally to be directed by Alejandro Jodorowsky and produced by Alan Klien. (Klien had funded Jodorowsky's two previous pictures El Topo (1970) and The Holy Mountain (1973)) However, Alejandro bailed on the film leaving Alan with the problem of finding a replacement, which he never did. After much trouble with trying to get it off the ground, Klien sold the rights. However, the ordeal spawned a 30 year feud with Jodorowsky and resulted in Klien withholding the rights to El Topo and The Holy Mountain, blocking them from being distributed. The feud was finally settled in 2005. See more »
Most of the times that O's being whipped, there is no sound of the whip hitting her body. See more »
O felt soiled and guilty of the illicit pleasure she'd had in a stranger's arms. But her lover explained that the more he gave her, the more he wanted her. Offering her to another man was proof that he owned her.
One can only give that which one owns.
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The U.S. English-dubbed print is missing 6 scenes and runs approximately 8 minutes shorter than the original French version. However, the missing footage appears to have been removed for pacing reasons rather than any risqué content. The edited scenes are as follows:
After Rene picks up O from the chateau, the U.S. print cuts directly to O's first photo shoot, whereas in the French version, Rene brings her back to his apartment and shows her around, then expresses dissatisfaction with her training and behavior.
Immediatley following the above mentioned scene, O is left alone in the apartment. Rene phones and tells her to get undressed and wait for his arrival. She strips and is kneeling on the floor as he enters. Note: a few frames of the shot with her kneeling can be seen in the U.S. print just before it cuts to O's photo shoot.
After O's first whipping at Anne-Marie's house, the U.S. print cuts directly to the scene with Therese fixing O's hair next to a vase of red roses. In the French version, O's first whipping is followed by a scene in which the women have lunch in the garden.
Immediately following the above mentioned scene, the French version also contains a scene of O waking up in the middle of the night when she hears crying in the stairwell. She gets up to investigate, as do some of the other women, and they find a distraught Therese, who wants to leave their submissive environment.
After O and Jacqueline go for a walk on the beach, the U.S. print cuts directly to the scene where O meets Sir Stephen before their boating trip. In the French version, the walk on the beach is longer as O spots Therese climbing out of a fishing boat. She rushes over to greet her and Jacqueline immediately becomes jealous and asks O if she ever slept with Therese.
Immediately following the above mentioned scene, O, Therese and Jacqueline have lunch together. Jacqueline is still feeling jealous and makes a few snide remarks at Therese, who retaliates by purposely spilling tea on Jacqueline's lap.
I admit I know little about the S+M/B+D lifestyle, but if this is any indication, it must be kind of like being in a bad European "art" film. This is one movie that truly does not deserve its notorious reputation(either in the negative or positive sense). It's just your typical silly and pretentious 70's Eurotrash. It is slightly less boring than the director's previous "Emmannuelle" (1974) but only slightly. The lead (and only conceivable reason to watch this nonsense) is Corrine Clery,who was later a second-string Bond girl eaten by vicious dobermans in "Moonraker". Clery spends most of the movie naked and being whipped by various men and women. This certainly sounds pretty sordid, but the movie (tastefully?) never shows the whip actually hitting her. And though she is almost constantly being flogged, there never seems to be a mark on her on her perpetually on-display body. She is also passed around by various men, but the sex scenes are even more circumspect than the whipping scenes. I'd enjoy watching Clery doing anything naked(mowing the lawn, painting a fence, digging a garden), but there's just nothing especially exciting here. Mostly, the movie consists of cheesy dialogue and idiotic libertine philosophizing. I don't know if you have to be a sadist to enjoy it, but you definitely have to be a masochist to sit through it.
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