6.4/10
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13 user 10 critic

Un genio, due compari, un pollo (1975)

Three rogues set out to rob $300,000 from an Indian-hating cavalry major.

Director:

Damiano Damiani

Writers:

Ernesto Gastaldi (story), Fulvio Morsella (story) | 3 more credits »
Reviews
1 win. See more awards »

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Cast

Cast overview, first billed only:
Terence Hill ... Joe Thanks
Miou-Miou ... Lucy (as Miou Miou)
Robert Charlebois ... Steam Engine Bill
Patrick McGoohan ... Major Cabot
Raimund Harmstorf Raimund Harmstorf ... Sergeant Milton
Piero Vida Piero Vida ... Jacky Roll
Rik Battaglia ... Captain (as Rick Battaglia)
Mario Valgoi Mario Valgoi ... Thomas Trader
Mario Brega ... Officer at Fort
Jean Martin ... Colonel Pembroke
Klaus Kinski ... Doc Foster
Miriam Mahler Miriam Mahler ... Pembroke's Daughter
Clara Colosimo Clara Colosimo ... La ruffiana
Carla Cassola Carla Cassola ... Prostitute
Fernando Cerulli ... Her husband (as Ferdinando Cerulli)
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Storyline

Expert conman Joe Thanks teams up with half-breed Bill and naive Lucy to steal $300,000 from the Indian-hating Major Cabot. Their elaborate plan is full of disguises, double-crosses, and chases, but Joe always seems to know what he's doing. Written by lonamer

Plot Summary | Add Synopsis

Taglines:

In the saddle... In the sack... In the sand See more »

Genres:

Comedy | Western

Certificate:

See all certifications »
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Details

Country:

Italy | France | West Germany

Language:

Italian

Release Date:

19 December 1975 (Italy) See more »

Also Known As:

A Genius, Two Partners and a Dupe See more »

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Box Office

Budget:

ITL 3,500,000,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Robert Charlebois and Miou-Miou dubbed themselves in the French-language version. See more »

Goofs

When Major Cabot brings Bill and Lucy to the cell, they go through a room with flags which are supposed to be the state flags of the United States. If you watch closely you can see the flags of the European Union and of East Germany. See more »

Quotes

Doc Foster: [to Joe] In a few moments you'll be the deadest man that ever lived!
See more »


Soundtracks

Glory, Glory, Glory
Composed by Ennio Morricone
Sung by Catherine Howe
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Frequently Asked Questions

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User Reviews

A disappointing curiosity that has its moments.
13 December 2004 | by hannibalmcneeSee all my reviews

Bit of a disappointment this one, although it was always bound to be too good to be true.

Just think of it! A spaghetti western directed by the great Damiano Damini (A Bullet for the General) and the greater Sergio Leoni, starring legendary actors Patrick McGoohan and Klaus Kinski, with music by Ennio Morriconne. How could it go wrong?

Well let's start...

The opening sequence at least (directed by Leone) is brilliant and promises a terrific film. A promise that is not kept. The sequence has little or no bearing on the rest of the film, an action comedy about the conning of a racist cavalry Major (McGoohan) out of three hundred thousand dollars and the love triangle between the three con-artists, led by Terence Hill.

There seems to be something about most Italian comedy that simply doesn't work when playing to a British or American audience and here it is the same. Most of the film is buffoonery that falls flat, made increasingly worse by the decision to give most of the co-stars silly voices in the dubbing room. Klaus Kinski comes off the worst in his tiny cameo, looking great, out-acting everyone on the screen, but sounding like an ancient hillbilly. Miou-Miou's squeaky toddler voice is unbearable.

McGoohan too sounds bizarre, somewhere between an English toff and WC Fields (all the stranger still, because the voice is actually his).

The music tends towards the comical of course, and as such is not in Morricone's best work.

However, there are some diamonds among the rough. McGoohan's performance is great, in spite of the voice.Terence Hill makes a fairly engaging lead, whose description of a duel is a classic moment for spaghetti westerns. The climax too, an energetic chase, accompanied to Morriconne's reworking of Beethoven's Fur Elise, ending with a tremendous explosion that leaves McGoohan covered in white dust atop his horse like an imposing alabaster statue (worth the admission price alone) is evidence that there is some real talent at work here.

In a perfect world, A Genius would be the very best of the spaghetti westerns. As it stands, it is a failure that I'm very pleased to have seen.


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