A suburban housewife's world falls apart when she finds that her pornographer husband is serially unfaithful to her, her daughter is pregnant, and her son is suspected of being the foot-fetishist who's been breaking local women's feet.
Notorious Baltimore criminal and underground figure Divine goes up against a sleazy married couple who make a passionate attempt to humiliate her and seize her tabloid-given title as "The Filthiest Person Alive".
A day in the lives of a hit-and-run driver and her victim, and the bizarre things that happen to them before and after they collide (sexual assault by a crazed foot-fetishist, visions of ... See full summary »
A talented young photographer, who enjoys snapping photos of his satirical, perverted Baltimore neighborhood and his wacky family, gets dragged into a world of pretentious artists from New York City and finds newfound fame.
The life and times of Dawn Davenport, showing her progress from loving schoolgirl to crazed mass murderer - all of which stems from her parents' refusal to buy her cha-cha heels for Christmas. She runs away from home, is raped, becomes a single mother, criminal and glamorous model before her inevitable rendezvous with the electric chair...Written by
Michael Brooke <email@example.com>
The scenes in the Dashers' residence were filmed in John Waters' own apartment at the time, with many of his own belongings. Another corner of his apartment was used for the part of the salon where the Dashers first interview Dawn Davenport. See more »
The word "chaplain" is misspelled "chaplin" in the closing credits. See more »
For Charles Watson (the Manson Family member). Waters' prison visits to Watson inspired the "crime is beauty" theme of the film, and Waters used a toy wooden helicopter Watson made for him in the credits. See more »
This is John Waters at his zenith. In ten minutes time this film has more hilarious, outrageous humor than most other underground, drive in films do in their entirety. Like with PINK FLAMINGOES it deserves accolades for it's sheer tasteless audacity. It is consistently funny, unrelentingly perverse, obnoxious, and ugly. Just like you would expect. It also has Waters film trademark of having the actors shout their lines instead of saying them.
This is much more of a solid satire than many may originally presume. In some ways it was way ahead of it's time. It keenly shows the cult of celebrity and the desperation some have to obtain it. How skewered the famous and infamous have become and our over emphasis on beauty. It also shows how the media exploits the desperate and causes the distorted image.
Above all though this is really Divine's vehicle. She (he) steals every scene she is in. Even just watching her do modeling poses or dancing on a bar top is hilarious. She also writes and performs the opening song and even plays a male character that has sex with her female character (very well edited). There's also one inglorious moment where you even see the close up of his genitals.
For those with the right mentality this is pure entertainment. It's also has a perverse brilliance that has lost non of it's edge of potency.
8 out of 10
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