In the midst of trying to legitimize his business dealings in New York City and Italy in 1979, aging Mafia Don Michael Corleone seeks to avow for his sins, while taking his nephew Vincent Mancini under his wing.
Based upon a real-life story that happened in the early seventies in which the Chase Manhattan Bank in Gravesend, Brooklyn, was held siege by a bank robber determined to steal enough money for his male lover to undergo a sex change operation. On a hot summer afternoon, the First Savings Bank of Brooklyn is held up by Sonny and Sal, two down-and-out characters. Although the bank manager and female tellers agree not to interfere with the robbery, Sonny finds that there's actually nothing much to steal, as most of the cash has been picked up for the day. Sonny then gets an unexpected phone call from Police Captain Moretti, who tells him the place is surrounded by the city's entire police force. Having few options under the circumstances, Sonny nervously bargains with Moretti, demanding safe escort to the airport and a plane out of the country in return for the bank employees' safety.Written by
This movie was not dreamed up by a screenplay writer. It couldn't have -- not with all the bizarre things that actually happened that day in a real bank, with real hostages and with Sonny Wortzik - the most unreal person who ever wanted to rob a bank. See more »
Al Pacino first heard about the incident upon which the film is based when it was actually taking place. He was later bemused by reports after the event that the lead participant would make a great role for him. See more »
When Sonny first meets the FBI agent he holds his hand up to shield his eyes from the light, when the camera cuts to the FBI Agent from the back of Sonny's waist, his hand is immediately at his side. When we see Sonny's face again he is raising his hand to shield his eyes from the light once again. See more »
An interesting true story made a good film with great performances
Brooklyn, New York. Sonny, Sal and another man walk into the bank and hold it up. Seconds into the job, the third man changes his mind and leaves. The job starts to go wrong when Sonny discovers that the truck he was told was dropping off money, was actually picking it up, meaning the vault is nearly empty. Things get worse when the police arrive outside and trap the two inside with a handful of hostages. As Sonny and Sal try to keep control, a circus breaks out on the street with the police, the public and the media all involved.
I have seen this film several times but it has been a few years since I last had the chance to see it. I watched it again today with the memory of it being good but not really as truly great as many seem to think it is. The plot is all the more fascinated for it being true but it is not an easy subject to bring to the screen. While morally most people can accept robbers in films as characters to support, it is a bigger step to accept the sexualities and complexities of these characters and to get behind them. However the film actually manages to make this quite moving and difficult - not only do we feel for Sonny but the film is fair to him and, more impressively, Leon. It would have been easy to turn this relationship into a joke but the script allows it to be done with sensitivity. The rest of the film captures the sense of circus and media feeding frenzy well as well as being quite tense and enjoyable to watch.
The film's strength is it's performances and, in particular, Pacino in a performance that is both showy and understated at different times. He is a real person and it is to his credit that, no matter the revelations about Sonny, he never loses the audience. Cazale is good here too but in a different way - a simple, sympathetic character. His hit rate is amazing when you think that he was only ever in a handful of films and they were all pretty amazing, but it's hard to tell how good an actor he was really. Durning is good in support and the rest of the cast are pretty good but it is Pacino's film and he manages well with the shouting, the silence and the complexities of his characters.
Overall this is not one of the best films ever made but it is certainly a very good telling of this true story. The film deals very well with both the tension of the situation but also the underlying stories and characters - even more surprising for the period it was made in, it makes a very balanced presentation of the homosexual characters. The direction is very good and the performances are all good, but it is Pacino's film and he does very well with it.
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