Three amateur bank robbers plan to hold up a bank. A nice simple robbery: Walk in, take the money, and run. Unfortunately, the supposedly uncomplicated heist suddenly becomes a bizarre nightmare as everything that could go wrong does.
Based upon a real-life story that happened in the early seventies in which the Chase Manhattan Bank in Gravesend, Brooklyn, was held siege by a bank robber determined to steal enough money for his wife (a trans woman) to undergo a sex change operation. On a hot summer afternoon, the First Savings Bank of Brooklyn is held up by Sonny and Sal, two down-and-out characters. Although the bank manager and female tellers agree not to interfere with the robbery, Sonny finds that there's actually nothing much to steal, as most of the cash has been picked up for the day. Sonny then gets an unexpected phone call from Police Captain Moretti, who tells him the place is surrounded by the city's entire police force. Having few options under the circumstances, Sonny nervously bargains with Moretti, demanding safe escort to the airport and a plane out of the country in return for the bank employees' safety.Written by
When Sonny is having the tellers empty the money from the cash drawers, one of the teller's name signs says "Maria Sandora." When the telephone rings and the scene cuts to the manager and back to the tellers, the sign has disappeared. After the camera cuts to a different view of Sonny and the tellers walking to the next window, the sign is no longer where it was but is now located at this next teller window. After this, as the camera angles cut back and forth, the scene was obviously filmed at different times because the items on top of the counter are in different order and do not always appear in all shots. See more »
I don't wanna talk to some flunky pig trying to calm me man.
Det. Sgt. Eugene Moretti:
Now you don't have to be calling me pig for...
[notices other officers moving toward him]
What is he doing?
Det. Sgt. Eugene Moretti:
[shouts at officers]
Will you get back there!
What are you moving in there for?
Det. Sgt. Eugene Moretti:
[runs toward closing officers]
Will you get the fuck back there! Get back there will you!
[to the other officers moving toward him]
What's he doing? Go back there man! He wants to kill me so bad he can taste it! Huh? ATTICA! ATTICA! ATTICA! ATTICA ATTICA! ...
[...] See more »
Al Pacino is the only actor credited at the start of the film. The rest of the cast is not credited until the ending. See more »
Recent DVD release replaces the old Warner Bros. logo at the beginning with the newer WB/AOL logo. See more »
An interesting true story made a good film with great performances
Brooklyn, New York. Sonny, Sal and another man walk into the bank and hold it up. Seconds into the job, the third man changes his mind and leaves. The job starts to go wrong when Sonny discovers that the truck he was told was dropping off money, was actually picking it up, meaning the vault is nearly empty. Things get worse when the police arrive outside and trap the two inside with a handful of hostages. As Sonny and Sal try to keep control, a circus breaks out on the street with the police, the public and the media all involved.
I have seen this film several times but it has been a few years since I last had the chance to see it. I watched it again today with the memory of it being good but not really as truly great as many seem to think it is. The plot is all the more fascinated for it being true but it is not an easy subject to bring to the screen. While morally most people can accept robbers in films as characters to support, it is a bigger step to accept the sexualities and complexities of these characters and to get behind them. However the film actually manages to make this quite moving and difficult - not only do we feel for Sonny but the film is fair to him and, more impressively, Leon. It would have been easy to turn this relationship into a joke but the script allows it to be done with sensitivity. The rest of the film captures the sense of circus and media feeding frenzy well as well as being quite tense and enjoyable to watch.
The film's strength is it's performances and, in particular, Pacino in a performance that is both showy and understated at different times. He is a real person and it is to his credit that, no matter the revelations about Sonny, he never loses the audience. Cazale is good here too but in a different way - a simple, sympathetic character. His hit rate is amazing when you think that he was only ever in a handful of films and they were all pretty amazing, but it's hard to tell how good an actor he was really. Durning is good in support and the rest of the cast are pretty good but it is Pacino's film and he manages well with the shouting, the silence and the complexities of his characters.
Overall this is not one of the best films ever made but it is certainly a very good telling of this true story. The film deals very well with both the tension of the situation but also the underlying stories and characters - even more surprising for the period it was made in, it makes a very balanced presentation of the homosexual characters. The direction is very good and the performances are all good, but it is Pacino's film and he does very well with it.
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