In the midst of trying to legitimize his business dealings in New York City and Italy in 1979, aging Mafia Don Michael Corleone seeks to avow for his sins, while taking his nephew Vincent Mancini under his wing.
Based upon a real-life story that happened in the early seventies in which the Chase Manhattan Bank in Gravesend, Brooklyn, was held siege by a bank robber determined to steal enough money for his male lover to undergo a sex change operation. On a hot summer afternoon, the First Savings Bank of Brooklyn is held up by Sonny and Sal, two down-and-out characters. Although the bank manager and female tellers agree not to interfere with the robbery, Sonny finds that there's actually nothing much to steal, as most of the cash has been picked up for the day. Sonny then gets an unexpected phone call from Police Captain Moretti, who tells him the place is surrounded by the city's entire police force. Having few options under the circumstances, Sonny nervously bargains with Moretti, demanding safe escort to the airport and a plane out of the country in return for the bank employees' safety.Written by
This movie was not dreamed up by a screenplay writer. It couldn't have -- not with all the bizarre things that actually happened that day in a real bank, with real hostages and with Sonny Wortzik - the most unreal person who ever wanted to rob a bank. See more »
At 24 minutes into the film, when Sonny and the bank manager are moving the desk, you can see a wireless microphone "body pack" transmitter under the manager's shirt back, on the right just above his belt. See more »
great character study and a masterful actors' showcase
Sidney Lumet's "Dog Day Afternoon" is one of the most highly enjoyable and wildly funny movies I've ever seen - smart, sharp, complex, witty (and often quotable) dialogue, and superbly acted. Al Pacino stars as Sonny, an optimistic loser who decides to hold up a bank with his friend Sal (played by the late, great John Cazale) to get money for his lover Leon's sex-change operation.
The film is only worked around a few sequences, and may seem overlong to some, but it works excellently because it is held together by the fantastic acting. Al Pacino is astounding as Sonny, and his work here even eclipses the excellent work he did as Michael Corleone in "The Godfather" (and that's saying something, because I adore that movie and his portrayal). Pacino has the facial tics and the energy and the wide-eyed optimism down pat, and his performance is extremely engaging and entertaining. Take, for example, his scene where he rouses up the crowd against the police by chanting, "Attica! Attica! Put your f---ing guns down!" A lesser actor would have made it insipid, but Pacino makes it oddly poignant and hilarious at the same time. (And he was robbed of his Oscar for his role.) The late John Cazale is also superb as Sal, the dopey-eyed follower, the quiet laid-back calm to Pacino's maniacal energy. It's a less flashier role, but Cazale still brings on all the laughs, especially in his deadpan delivery of the line, "Sonny, they're saying there are two homosexuals in here...I'm not a homosexual."
Frank Pierson won an Oscar for his script for a reason - the dialogue is hilarious, sharp, and witty. Many of the lines in this movie are extremely quotable (and you can check some of them out under "memorable quotes"). This is intelligent writing, in the sense that you will laugh and be moved at the same time.
Great movie! It belongs in your VHS or DVD collection. 10/10
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