Deewaar

My dad made me see this when i was a kid. Even as a kid i hated those bollywood films with unnecessary songs. It is an intense n awesome film with solid performance by Bachan. Those who love Hindi cinema for its extravagant song and dance routines, its mix of romance, comedy, action and melodrama, and its over-the-top stuff may be surprised to learn that this 1975 movie is devoid of such characteristic elements. Yet Deewaar is an awesome bollywood film. Mr. Bachchan was terrific.

This movie can be termed as one of the best in the annals of Indian Cinema history. A perfect script by Salim-Javed and equally captivating direction by Yash Chopra makes this movie a treat to watch. Amitabh as usual lives his role as Vijay. Every dialogue, body language of his is just extraordinary. The only drawback of this otherwise class movie is its music.

The movie released during the tensions then prevailing in India made the people to identify with the character of Vijay (Amitabh). Was a stupendous hit and is still considered a classic. On totality the movie is a treat to watch.

Amitabh Bachchan plays Vijay Verma, brother of a righteous police officer, who comes to resent society for the suffering it has brought upon his mother (and himself). After his dad abandons the family, Vijay and his Mum have to work like slaves to earn a little money to send brother Ravi to school. Ravi becomes a top student and joins the police as a top officer. Meanwhile, Vijay becomes increasingly bitter about the indignities inflicted by him & his mother because they are poor. When he gets a chance to earn some more money he can't say no, even though it involves working for a known smuggler. He quickly rises to become the smuggler's right hand man and becomes rather wealthy as a result. But Vijay's new career creates a rift with his brother that inevitably leads to conflict... but of course it's poor mum that suffers the most.

Deewar was made close to the start of the Amitabh Bachchan phenomenon, and contributed no small amount to it. His performance as the angry young man who drifts to the wrong side of the tracks is brilliant - balancing turbulent fury with his charisma and cool.

Yash Chopra and writer Salim Javed flood the movie with huge amounts of melodrama (not especially unusual in Bollywood), but take to extremes some things and scenes that would have been better left a little more subtle. The movie is quite complex and layered - something much easier to accomplish when you have 3 hours to explore and develop things, as with most Bollywood movies. The excess of melodrama becomes quite draining over such a length of time though.

Quite a good movie, but definitely not as much fun as other Amitabh/Salim Javed pairings such as SHOLAY, SHAAN and the inimitable DON.

I think Deewaar is the film most of the people have watched already. But, I'm sure there are many like me who hasn't watched it yet. I just finished it and despite having all those moments which are called 'clichéd' in today's time, I can say it's one of the greatest films in Bollywood.

Story wise it's normal, but its screenplay & dialogues by Salim-Javed and how the actors delivered them are amazing. Specially Big B nailed his character, what swag and attitude the character needed he portrayed it perfectly. It's one of the three Hindi films featured in the book '1001 Movies You Must See Before You Die.' One of the most iconic films in Indian Cinema.

Available on ZEE5.

© MandalBros.

One of my greatest films of alltime, the film has an eerie, grey feel about it. Amitabh who went on to amazing status really shines and portrays the character who is (based on Haji Mastan a notorious mumbai outlaw)isolated from society and family magnificantly, the role won him best actor 1975. A film richly layered in metaphor and meaning, with deeply powerful dialogues and symbolic significance. The camera work however makes the film look very dated which may put people off watching an old film, but if your not judging a book by the cover, based on sheer performances and script well worth a watch.