Hoping to cure his violent seizures, a man agrees to a series of experimental microcomputers inserted into his brain but inadvertently discovers that violence now triggers a pleasurable response his brain.
Concerned with population over-growth, the Earth government bans, under the penalty of death, all pregnancies but one couple decides to risk having a real baby rather than legally adopt a cyborg child.
Lone survivor, doctor Robert Neville, struggles to create a cure for the plague that wiped out most of the human race while fighting The Family, a savage luddite death cult formed by the zombie-like infected to erase the past.
A post-apocalyptic tale based on a novella by Harlan Ellison. A boy communicates telepathically with his dog as they scavenge for food and sex, and they stumble into an underground society where the old society is preserved. The daughter of one of the leaders of the community seduces and lures him below, where the citizens have become unable to reproduce because of being underground so long. They use him for impregnation purposes, and then plan to be rid of him.Written by
Ed Sutton <firstname.lastname@example.org>
At a science-fiction convention, there was a pre-release screening of this film. At the end, when writer Harlan Ellison came on stage and invited comments, the most common one was that the portion of the movie taking place in "The Underground" was really slow-moving (a polite way of saying "boring"). Ellison was very defensive about this and responded to the effect that The Underground was a boring, stultifying place and the movie was intended to convey that. The audience did not find this to be a satisfying answer. See more »
Near the end of the film, when Vic is speaking with Blood outside the entrance to The Down Under, Vic refers to him as "Tiger", which was the dog's actual name. See more »
According to the Blu-ray commentary, the prologue (mushroom clouds and explanatory text, the first minute and a half or so) was added for the 1982 rerelease to help explain the world of the film. See more »
Despite its ironically cutesy title ("A Boy and His Dog") and a plot premise that might've come out of the Walt Disney archives (dog and boy share telepathic communication), this movie is about as darkly comic and acidic as anything Stanley Kubrick ever did ("Clockwork Orange"). Sadly, as of the year 2014, almost 40 years later, the only copies you can find, even the laughable Blu-ray HD release, are in serious need of some restoration before audiences will give this film the respect it deserves. But considering its low profile appeal, I highly doubt that'll happen in our lifetimes, so grab it wherever you can.
In the tradition of the great 70s dystopian/postapocalyptic scifis like "Clockwork Orange" (1971), "Rollerball" (1975), "THX-1138" (1971), "Soylent Green" (1973), "The Omega Man" (1971) and I'll even throw in "The Stepford Wives" (1975), this movie has its appeal in a sort of minimalist presentation that presents a chillingly emotionless and sterile future. Where "A Boy and His Dog" excels is in its thick, satirical tongue-in-cheek presentation, particularly in the 2nd half when our hero encounters the true future of human society (or is it the present? You be the judge).
The first half is something like Mr. Ed meets Mad Max, with its equal portions of chatty humor and dusty violence. But right in the first scene we realize that, despite the cute banter between boy & dog, there aren't going to be many warm fuzzies. In the opening scene we learn that the boy (Don Johnson) is looking for female survivors so he can rape them.
If you can swallow that highly disturbing premise, which the director makes no bones in presenting at the outset, then the rest should be an unsettlingly fun joyride all the way to the film's very memorable punchline. Things get really trippy in the 2nd half, and even though there's minimal nudity, certain things happen which would make D.H. Lawrence blush (particularly involving a certain mechanical device attached to the male anatomy).
Definitely NOT a date movie, nor any sort of movie you'd watch with your parents or kids, "A Boy and His Dog" is really like a lost cousin of "A Clockwork Orange" or "Dr. Strangelove". Who ever would've thought that this sarcastic gem would come to light through the directing talents of L.Q. Jones, the ubiquitous guest star on many a 70s TV show like "Charlie's Angels", "Columbo", "Gunsmoke" and "Vega$" but whose only other directing credit is an episode of "The Incredible Hulk" (one which I'm going to re-watch immediately).
Unfortunately with the somewhat bland & grainy video quality of the existing print, we don't get the full eye-boggling power of this film the way one could imagine it. But all the same, it's an unusual vision which should proudly take its place amongst the other 70s masterpieces I mentioned. You can buy the Blu-ray for literally pennies on ebay, so you have no excuse for not checking this out.
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