In a post-apocalyptic wasteland, a boy who can communicate with his dog telepathically is targeted by a mysterious committee.In a post-apocalyptic wasteland, a boy who can communicate with his dog telepathically is targeted by a mysterious committee.In a post-apocalyptic wasteland, a boy who can communicate with his dog telepathically is targeted by a mysterious committee.
- Awards
- 2 wins & 2 nominations
Tim McIntire
- Blood
- (voice)
Michael Rupert
- Gery
- (as Mike Rupert)
Dickie Jones
- Man with Shotgun
- (uncredited)
L.Q. Jones
- Actor in Porno Film
- (uncredited)
Maggie Smith
- Old Lady Survivor
- (uncredited)
Tiger
- Blood - the Dog
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaWhen this film won the Hugo Award for Best Dramatic Presentation, the award went to the writer(s) and director(s) (in this case, L.Q. Jones), as had been done for years before. However, Harlan Ellison, author of the original story who at the time had already won six Hugos, put up such a fuss at being left out that the Hugo committee eventually decided to include him. Unfortunately, there were no iconic Hugo Award rocket statues left, so the committee just gave him an extra base. With the two Hugos he would win after this, Ellison would claim to have won eight-and-a-half Hugos, with this being the half.
- GoofsNear the end of the film, when Vic is speaking with Blood outside the entrance to The Down Under, Vic refers to him as "Tiger", which was the dog's actual name.
- Alternate versionsAccording to the Blu-ray commentary, the prologue (mushroom clouds and explanatory text, the first minute and a half or so) was added for the 1982 rerelease to help explain the world of the film.
- ConnectionsFeatured in Sam Peckinpah: Man of Iron (1993)
- SoundtracksWhen the World Was New
by Richard Gillis
Featured review
In the year 2024 Earth has become a barren desert due to WW4. Vic is a solo, a loner who walks around in search of food and sex. He is accompanied by his telepathic dog, Blood, who uses his senses to sniff out women and food. When Blood sniffs out Susanne it leads to a terrifying journey to the underground where Vic finds himself trapped for sinister means.
This is a very basic that sticks to post-apocalypse movie rules - desert conditions, everyone searching for basic needs, loner warrior etc. The story seems to be leading nowhere but then picks up on the story of Susanne and begins treading towards the underground scenes. The main driver of the first half of the film is the relationship between Vic and Blood. Once the film moves underground, Blood is left behind and the film stutters a bit because of him being out of it. However once the story picks up again, Johnson can almost carry it. And the ending - it's not a shock or a twist but it's a quite whimsical end in a story that is about friendship.
Johnson is not too bad here, he's slagged off on these pages, but considering he's acting to a dog he does really well. It's almost like acting in a blue screen I suppose, having to respond to lines that aren't being spoken. He shows the extent of his talents when he goes underground but he's good on the surface. Composer Tim McIntire is good as Blood, but maybe makes him a little too unlikeable early on. The only other performance of interest is Jason Robards as the head of the underground committee.
Overall this is a little oddity, but it's not a brilliant film. The underground scenes are good in that they display greater imagination than those on the surface. It lacks pace for the most and really doesn't have anything to say but it's an interesting film.
More than anything else, I think this is one of those films that movie-snobs talk about in pubs because they know few people will have seen it! Forget them - it's worth seeing once.
This is a very basic that sticks to post-apocalypse movie rules - desert conditions, everyone searching for basic needs, loner warrior etc. The story seems to be leading nowhere but then picks up on the story of Susanne and begins treading towards the underground scenes. The main driver of the first half of the film is the relationship between Vic and Blood. Once the film moves underground, Blood is left behind and the film stutters a bit because of him being out of it. However once the story picks up again, Johnson can almost carry it. And the ending - it's not a shock or a twist but it's a quite whimsical end in a story that is about friendship.
Johnson is not too bad here, he's slagged off on these pages, but considering he's acting to a dog he does really well. It's almost like acting in a blue screen I suppose, having to respond to lines that aren't being spoken. He shows the extent of his talents when he goes underground but he's good on the surface. Composer Tim McIntire is good as Blood, but maybe makes him a little too unlikeable early on. The only other performance of interest is Jason Robards as the head of the underground committee.
Overall this is a little oddity, but it's not a brilliant film. The underground scenes are good in that they display greater imagination than those on the surface. It lacks pace for the most and really doesn't have anything to say but it's an interesting film.
More than anything else, I think this is one of those films that movie-snobs talk about in pubs because they know few people will have seen it! Forget them - it's worth seeing once.
- bob the moo
- Dec 17, 2001
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Details
- Release date
- Country of origin
- Language
- Also known as
- 2024: Apocalipsis nuclear
- Filming locations
- Coyote Dry Lake, California, USA(desert wasteland setting)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $400,000 (estimated)
- Runtime1 hour 31 minutes
- Sound mix
- Aspect ratio
- 2.35 : 1
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