A young drifter returns to his home in Key West, Florida and attempts to open a fishing charter business, provoking a dangerous feud with a rival fishing sea captain.
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Title: 92 in the Shade (1975)
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Cast
| Cast overview, first billed only: | |||
| Peter Fonda | ... | Tom Skelton | |
| Warren Oates | ... | Nichol Dance | |
| Margot Kidder | ... | Miranda | |
| Burgess Meredith | ... | Goldsboro | |
| Harry Dean Stanton | ... | Carter | |
| Elizabeth Ashley | ... | Jeannie Carter | |
| Sylvia Miles | ... | Bella | |
| William Hickey | ... | Mr. Skelton | |
| Louise Latham | ... | Mrs. Skelton | |
| Joe Spinell | ... | Ollie Slatt | |
 |
William Roerick | ... | Rudleigh |
| Evelyn Russell | ... | Mrs. Rudleigh | |
| John Quade | ... | Roy | |
|
|
John Heffernan | ... | Myron |
| Warren J. Kemmerling | ... | Powell (as Warren Kemmerling) | |
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Plot Summary
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Storyline
A young drifter returns to his home in Key West, Florida and attempts to open a fishing charter business, provoking a dangerous feud with a rival fishing sea captain.
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As The Temperature Rises, The Tension Mounts And Someone Just Might Get Killed.Parents Guide:
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Original ending including a death was changed when film rereleased. See more »Frequently Asked Questions
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Language:
EnglishRelease Date:
29 August 1975 (USA) See more »Also Known As:
92 in the Shade See more »Company Credits
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Competition becomes grimly fierce between a young drifter, just returned home to his parents' Key West manor and wanting to get into the fishing guide business for tourists, and the established middle-aged guide and his partner who believe they rule the local waters. Atmospheric and seasoned to a fault, writer Thomas McGuane's character-oriented drama, which he adapted from his own novel and directed, overdoses on Florida's marinas and verandas, conch houses and local bars, salty denizens and tin-roof shacks. The accent should be on the eccentrics dotting McGuane's scenario (and the colorful group of actors in the cast), but the milieu overwhelms the proceedings to the point where the mini-war between Peter Fonda and Warren Oates seems irrelevant. There's still a great deal of colorful talk to listen to, but the plot as such doesn't build any momentum. ** from ****