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The Jeffersons 

TV-PG | | Comedy | TV Series (1975–1985)
A nouveau riche, African-American family who move into a luxury apartment building develop close, if occasionally fractious, relationships with other tenants.
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1,531 ( 3)

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11   10   9   8   7   6   5   4   3   … See all »
1985   1984   1983   1982   1981   1980   … See all »
Nominated for 8 Golden Globes. Another 6 wins & 23 nominations. See more awards »

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Cast

Complete series cast summary:
Isabel Sanford ...  Louise Jefferson 253 episodes, 1975-1985
Sherman Hemsley ...  George Jefferson 253 episodes, 1975-1985
Marla Gibbs ...  Florence Johnston 207 episodes, 1975-1985
Roxie Roker ...  Helen Willis 196 episodes, 1975-1985
Franklin Cover ...  Tom Willis 191 episodes, 1975-1985
Paul Benedict ...  Harry Bentley 155 episodes, 1975-1985
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Storyline

"The Jeffersons" was perhaps the most-successful spinoff series to "All in the Family." George Jefferson was the black version of Archie Bunker in many respects, both were loud-mouthed, opinionated and set in their bigoted ways. By 1975, Jefferson's fledging dry-cleaning business, Jefferson Cleaners, had successfully grown into a small chain; his newfound wealth led to moving his family to a "deluxe apartment in the sky" in Manhattan. His family included his wife, Louise, a level-headed and open-minded woman who often had to scold George when his mouth got him into trouble; and Lionel, an engineering major at a local college. He especially disliked Tom and Helen Willis, a mixed couple (he was white, she was black) whose daughter, Jenny, was dating and later married Lionel; Florence, his sharp-tongued maid; and Harry Bentley, the esoteric Englishman who lived next door. George often flaunted his wealth and displayed rude, arrogant, bigoted behavior; however, he often found that money ... Written by Brian Rathjen <briguy_52732@yahoo.com>

Plot Summary | Add Synopsis

Genres:

Comedy

Certificate:

TV-PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Nick-at-Nite | Screen Gems Network

Country:

USA

Language:

English

Release Date:

18 January 1975 (USA) See more »

Also Known As:

The Jeffersons See more »

Company Credits

Production Co:

Embassy Television See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Trivia

Unlike Norman Lear's other sitcoms; topical, political, and edgy content was gradually phased out as the series progressed. See more »

Goofs

Numerous times on and off throughout the course of the series, people make a left when they leave through the exit of the Jeffersons' apartment. The layout of the hallway has Harry Bentley's apartment at the end about a couple feet away at corner on the left side of the Jeffersons' apartment. So it means logically they are just walking right into the door of Bentley's apartment instead of going straight across to the elevator. See more »

Quotes

Hugo Mojelewski: Hi! Remember me?
See more »

Crazy Credits

Series creators Don Nicholl, Michael Ross, and Bernard West are listed as "Nicholl Ross West" during the show's closing credits on numerous episodes. See more »

Alternate Versions

Syndicated reruns in the US are cut by 2 to 3 minutes. One particularly bad cut is of a key sequence in the first episode: after Helen and Tom leave George's apartment after being insulted, they are talking in the hallway, and the scene ends with them kissing. This was a controversial scene back in 1975, but its editing was so that stations and cable networks airing the show could fit in more commercials. See more »

Connections

Featured in WatchMojo: Top 10 Best TV Spin-Offs (2014) See more »

Soundtracks

Movin' On Up
Written by Jeff Barry and Ja'net DuBois
Performed by Ja'net DuBois & Oren Waters
See more »

Frequently Asked Questions

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User Reviews

 
The Jeffersons- Another 70's CBS Classic, But Are George and Archie Twins?
6 January 2006 | by jrm23july@aol.comSee all my reviews

If the Television Hall of Fame selected television programs as a whole to win a gold plaque similar to Cooperstown N.Y. for MLB, or Canton Ohio for the NFL, "The Jeffersons" would be there front and center.

The long running CBS sitcom which aired from 1975 through 1985, won several Emmys, including Isabel Sanford for Best Lead Actress in a Comedy Series. To me "The Jeffersons" is one of television's top fifty All-Time Programs, and the best one with a predominately African American cast, better than "The Cosby Show" and "Sanford and Son". As a child it was a thrill to be able to watch this program when schoolwork or bedtime did not get in the way.

I now own the first two seasons of "The Jeffersons" on DVD, and I enjoy the performances of all the characters. The show is of course centered around bigoted and avaricious George (Sherman Helmsley), and his long suffering wife Louise "Weezy" Jefferson (Isabel Sanford), but the performances of the character actors are also well above par. Paul Benedict as George's goofy, bizarre neighbor, Ned Wertimer as the not so modest or polite (when it comes to tips) doorman, Mike Evans as wisecracking son Lionel, and Marla Gibbs as wisecracking live-in-maid Florence, and of course the interracial couple who are usually the butt of George's racist jokes, Tom and Helen Willis played by Franklin Cover and Roxie Roker. And of course don't forget going way back in the day when people born in the 1890's were alive, well and entertaining us all, Zara Cully as George Jefferson's quick witted Mother, Olivia. She was hilarious when seeking attention from George and Weezy she intentionally tackles herself to the ground in a season 2 episode.

But "The Jeffersons" at least the first two seasons centers around George and his vices, which often outweigh his virtues, similar to the Archie Bunker character introduced in the early 1970's. Like Archie George is set in his ways, avaricious, sometimes crude, and often bigoted. Like Archie he is a bigot without a mean streak. He is a lovable bigot, and his racist views are played out for laughs, but George is not a carbon copy of Archie. They're not twins. Archie makes fun of everyone that is not his race, religion creed, or sexual orientation. George sticks to the basics. Just make fun of whitey, and those whites that don't offer him anything in return for his efforts.

There are some whites like Wittendale, the banker who holds the key to George's future of a dry cleaning monopoly. George always wants to pander to this guy. However George has no use for "honkies" like Tom Willis and his black wife Helen. Like Archie Bunker he despises mixed marriages. (Although Archie is all for Irish marrying Italian). Mostly because Weezy has him on a short leash, George reluctantly accepts Tom and Helen Willis as neighbors and in-laws.

One major reason why Archie's ethnic and racial slurs often spiral out of control and George's doesn't is the nature of the women they're married to. Edith is tolerant, dingbatty, and naive, while Weezy is sharp, quick witted, and as shrewd as George. She puts her foot down faster on George, than Edith does on Archie. Edith tends to push Archie in the direction he's going, with some first class dingbat punchlines added in.

George is a little bit of a thing, with an obsession for power and control, much like Danny DeVito in the movies. He lusts for money and power, and he's got it, a wife a family and a full chain of cleaning stores. Archie doesn't have all this. Archie needs to shut other people down to better his own situation. George doesn't. George has money and power. However, like Archie he is set in his ways, and his lack of modesty always gets him into trouble.

What this show was missing was a crossover appearance by Archie and Edith from the slums of Flushing to the penthouses in Manhattan. Carroll O' Connor and Jean Stapleton never appeared on "The Jeffersons." "The Jeffersons" was not the greatest TV sitcom. "All in the Family" along with "Seinfeld", "The Honeymooners" and "Cheers" were better. However there was a certain charm with this show that lasted from the Gerald Ford through the second half of the Ronald Reagan presidency. This was one fine show.


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