An American grandson of the infamous scientist, struggling to prove that his grandfather was not as insane as people believe, is invited to Transylvania, where he discovers the process that reanimates a dead body.
A psychiatrist with intense acrophobia (fear of heights) goes to work for a mental institution run by doctors who appear to be crazier than their patients, and have secrets that they are willing to commit murder to keep.
A young neurosurgeon (Gene Wilder) inherits the castle of his grandfather, the famous Dr. Victor von Frankenstein. In the castle he finds a funny hunchback called Igor, a pretty lab assistant named Inga and the old housekeeper, frau Blucher -iiiiihhh!-. Young Frankenstein believes that the work of his grandfather is only crap, but when he discovers the book where the mad doctor described his reanimation experiment, he suddenly changes his mind...Written by
Flavio Rizzardi <email@example.com>
Mel Brooks: The voice of the original Dr. Frankenstein when Frederick sees the laboratory for the first time. See more »
When Igor enters the "Brain Depositary", there is a keyhole in the door, but no corresponding bolt is visible when the door opens. See more »
Dr. Frederick Frankenstein:
If we look at the base of a brain, which has just been removed from the skull, there's very little of the mid-brain that we can actually see. Yet, as I demonstrated in my lecture last week, if the under aspects of the temporal lobes are gently pulled apart, the upper portion of the stem of the brain can be seen. The so-called "brain stem" consists of the mid-brain, a rounded protrusion called the pons, and a stalk tapering downwards called the medulla oblongata, which passes out of...
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The zero in the 20th Century Fox logo at the beginning is slightly tilted. See more »
In some versions of the movie, a scene which showed Dr. Frankenstein demonstrating the Monster's power of balance by placing an empty milk bottle in one of the creature's hands, and a full milk bottle in the other hand, was later cut. For years, the only existing media of this scene was a photo in the paperback book of YF. However, in fall 2008, footage of this scene finally appeared on the blu-ray edition of the film, in which two angles of the missing scene were shown. See more »
Mel Brooks' tribute to the Frankenstein movies of the 40s is done with such love, such skill, and such side-splitting, fall-on-the-floor hilarity, that it has rightfully become a comedy classic. I first saw it in a movie theater: I had no idea what it was, had very little knowledge of Mel Brooks at the time, and expected to be bored. Instead, I found myself shrieking aloud with laughter that became so intense, I missed many of the major lines. Hence the video.
What can I say? From the wild-eyed Igor, the hunchbacked Transylvanian servant whose hump keeps changing from side to side, to the modern-day descendant of Baron von Frankenstein, determined not to follow in his great-grandfather's nefarious footsteps, to the nurse, a naif with enormous...er...chestal appendages, to the fearsome Frau Bleucher, whose mere mention causes horses in the castle's faraway stables to neigh in fear...to the scene of the monster and his creator singing and dancing in black tie to "putting on the Ritz," this movie should come with a warning: "Danger--Uncontrollable Laughter May Become Chronic."
The cast is beyond superb. The late, wonderful British comedian Marty Feldman (Igor), who turned his congenital wandering eyes into comedic foils, never misses a beat as second banana to Gene Wilder, who plays the distraught Dr. Frankenstein to the hilt and beyond. Cloris Leachman, who looks like a cross between a witch and a warlock, plays the feared housekeeper Frau Bleucher (neighhh!!!), and a very young, beautiful, and buxom Teri Garr plays the nurse-assistant to the good doctor. Then there is the marvelous Madeline Kahn, who gave a bravura performance as the doctor's fiancee. The late comedienne's burst into operatic ecstasy during her rape by the monster is simply inspired, and is one of the comedic high points of the entire film. All of Kahn's considerable talents came into play during this movie; she was taken from us too soon.
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