A middle-aged man leaves his wife for a younger woman. Shortly after, his ex-wife also begins a relationship with a younger partner. The film follows their struggles to find love amongst each other.
A proud strip club owner is forced to come to terms with himself as a man, when his gambling addiction gets him in hot water with the mob, who offer him only one alternative.
When a young boy's family is killed by the mob, their tough neighbor Gloria becomes his reluctant guardian. In possession of a book that the gangsters want, the pair go on the run in New York.
When a woman dying of cancer in early twentieth-century Sweden is visited by her two sisters, long-repressed feelings between the siblings rise to the surface.
Director:
Ingmar Bergman
Stars:
Harriet Andersson,
Liv Ullmann,
Kari Sylwan
An almost accidental romance is kindled between a German woman in her mid-sixties and a Moroccan migrant worker around twenty-five years younger. They abruptly decide to marry, appalling everyone around them.
Director:
Rainer Werner Fassbinder
Stars:
Brigitte Mira,
El Hedi ben Salem,
Barbara Valentin
Peter Falk is a blue collar man trying to deal with his wife's mental instability. He fights to keep a semblance of normality in the face of her bizarre behavior, but when her actions affect their children, he has her committed.Written by
BA Jacobson <pcfe2151@cybercom.net>
This film is part of the Criterion Collection, spine #253. See more »
Goofs
When Nick and the kids are sitting in the back of the truck on their way back from the beach, A radio microphone is visibly taped to Tony's shoe. You can also follow the cables coming off the mic which are visible too. See more »
Quotes
Nick Longhetti:
Normal talk. Conversation. Weather. "How are you?" "Where you been?" "Hello." "Too hot." "Too cold."
See more »
Everyone views movies differently. I for one didn't think we were meant to wonder who was crazier Mabel or her husband. Cassavetes makes a strong, bold (and rarely voiced) point...it is the husband! Mabel loved her children, loved to dance and sing and for that she was committed. Her "unidentified mental illness" seems to intensify when her husband mistreated her and was physically or verbally violent...in my opinion going a bit crazy after someone slaps you is probably healthier and saner than being polite, demure, and rational.
Mabel loves life, shows her love without apology, and is severely punished for it. Everyone else in the movie struggles to calm everyone down and avoid showing too much emotion. While this may be more socially acceptable it isn't sane or even healthy. Humans are emotional beings...I for one say Brava! Mabel.
I think the director tips his hand and proves his point when Mabel's character comes home from the institution. She hasn't seen her children, husband, and family for 6 months and people assault her, some she has never even met, before she even leaves the car. When she does get inside the safety of her own home the people who put her away and told to forget the past greet her with small talk and politeness! Then when she finally sees her children after being told to "wait a minute" she says to herself that she wants to remain calm and show "no emotions." It seems obvious that this is a perfectly acceptable time to be emotional but fresh from the institution she know being normal doesn't allow you to be emotional. Emotions are scary, messy, and inconvenient and I for one am thrilled that John Cassavetes didn't shy away from them.
This movie is a true original.
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Inspired by The Farewell director Lulu Wang's call to action at the 2020 Independent Spirit Awards, we celebrate women filmmakers working in their field.
Everyone views movies differently. I for one didn't think we were meant to wonder who was crazier Mabel or her husband. Cassavetes makes a strong, bold (and rarely voiced) point...it is the husband! Mabel loved her children, loved to dance and sing and for that she was committed. Her "unidentified mental illness" seems to intensify when her husband mistreated her and was physically or verbally violent...in my opinion going a bit crazy after someone slaps you is probably healthier and saner than being polite, demure, and rational.
Mabel loves life, shows her love without apology, and is severely punished for it. Everyone else in the movie struggles to calm everyone down and avoid showing too much emotion. While this may be more socially acceptable it isn't sane or even healthy. Humans are emotional beings...I for one say Brava! Mabel.
I think the director tips his hand and proves his point when Mabel's character comes home from the institution. She hasn't seen her children, husband, and family for 6 months and people assault her, some she has never even met, before she even leaves the car. When she does get inside the safety of her own home the people who put her away and told to forget the past greet her with small talk and politeness! Then when she finally sees her children after being told to "wait a minute" she says to herself that she wants to remain calm and show "no emotions." It seems obvious that this is a perfectly acceptable time to be emotional but fresh from the institution she know being normal doesn't allow you to be emotional. Emotions are scary, messy, and inconvenient and I for one am thrilled that John Cassavetes didn't shy away from them.
This movie is a true original.