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Willie Dynamite (1974)

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A social worker tries to get a pimp to change his ways.

Director:

Gilbert Moses

Writers:

Ron Cutler (screenplay), Ron Cutler (story) | 1 more credit »
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Cast

Cast overview, first billed only:
Roscoe Orman ... Willie
Diana Sands ... Cora
Thalmus Rasulala ... Robert Daniels
Joyce Walker Joyce Walker ... Pashen
Roger Robinson ... Bell
George Murdock ... Celli
Albert Hall ... Pointer
Norma Donaldson Norma Donaldson ... Honey
Juanita Brown ... Sola
Royce Wallace Royce Wallace ... Willie's Mother (Emma)
Judith Brown ... Gorgia (as Judy Brown)
Marilyn Coleman Marilyn Coleman ... Connie
Mary Charlotte Wilcox ... Scatback (as Mary Wilcox)
Marcia McBroom ... Pearl
Jack Bernardi Jack Bernardi ... Willie's Lawyer
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Storyline

A social worker tries to get a pimp to change his ways.

Plot Summary | Add Synopsis

Taglines:

He's got to be Number-One. See more »

Genres:

Crime | Drama

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

23 January 1974 (USA) See more »

Filming Locations:

Los Angeles, California, USA See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Westrex Recording System)

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Rosco Orman ('Willie D.') is perhaps best known to audiences, as Gordon, of Sesame Street. See more »

Goofs

At the 16:30 mark of the movie, when Honey calls Willie to say Pashen's been busted, Willie tells her he'll be right down, to sit tight, and keep doing business. The only thing, the pay phone she's calling Willie from has a small sign by the coin slot that says "You can dial any number in the Los Angeles area", when they are supposed to be in New York City. See more »

Crazy Credits

During the ending credits, Richard Lawson is credited as playing the role of Sugar, when in fact it is Nathaniel Taylor who plays the role. See more »

Connections

Spoofed in Black Dynamite (2009) See more »

Soundtracks

Willie Chase
Composed and performed by J.J. Johnson
See more »

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User Reviews

 
Maybe I should have shot you, they call it mercy killing
21 March 2004 | by sol1218See all my reviews

******SPOLIERS****** "Willie Dynamite" is miles above the average "Blaxploitation" films made in the 1970's by it's not glorifying the title character in any way but showing him as a ruthless as well as tragic and misguided person. A person who's self-destructive lifestyle as a big time city pimp lead to disaster not only to himself but to all those around him: his women his friends his hangers-on and worst of all his sweet and church-going mother played by Royce Wallace.

Back in those days, the 70's, Willie Dynamite, Roscoe Orman, could easily have been made to be a hero for the youth of the inner city ghettos to be looked up to and emulated. Instead the movie wisely chose to show him and his lifestyle for what it was, indifferent and unfeeling. Thats how Willie was to those women who worked the streets and hotels for him selling their hot bodies for the only thing that mattered to him the bottom line: Cold Cash.

The film chronicles the rise and fall and in the end redemption of big city pimp Willie Dynamite after he saw his mother collapse in the courthouse, when she found out what Willie really did for a living, and later die in the hospital without Willie being able to tells her that he's sorry for what he did and get her forgiveness. Willie let his mom on to believe that he was a record agent not a pimp.

Willie's top hooker Pashen, Joyce Walker, who wanted to get out of the hooker business and become a fashion model after she was shown the light by Cora, Diana Sands, a social worker who tried to save girls like her from being exploited by pimps like Willie. Pashen instead gets sweet-talked back into turning tricks by Willie's and ends up having her pretty face slashed while she was in the womens house of detention waiting to be bailed out by him.

Diana Sands steals the movie with her sensitive portrayal of a social worker who knows all too well what life on the streets can do from her sad and abysmal life as a young women and tries to get the girls working for Willie to save themselves from that life like she did. We also see Diana change her opinion about Willie when he's destroyed by his fellow pimps as well as the law and becomes a broken and humbled person instead of the brash and arrogant pimp that she fought with throughout most of the movie. It's Cora's tender and emotional scene with Willie at the end of the film made you want to reach for your handkerchief.

Finally Willie himself who went from a cold-hearted and unfeeling person who looked at both his hookers and the Johns who paid for their services only as dollar signs to where he became a sensitive and understanding person by the time the movie ended but it took a walk through hell for Willie to get to that point. The movie also has fine location filming in and around NYC with a great musical soundtrack.

It would be unfair for "Willie Dynamite" to be described as a "Blaxploitation" movie; It doesn't exploits it's audience it educates it.


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