A hippie girl wandering on a California beach is taken in by a Korean War veteran who lives in a nearby mansion with his sister. The girl soon begins to suspect that the mansion is home to ...
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Ellen Wheeler, a rich woman, is recovering from a nervous breakdown with the help of her husband and a good friend. One day, while staring out the window, she witnesses a murder. But does ... See full summary »
Brian G. Hutton
Two young university students wish to escape the oppressive Soviet Union. But their plans are monitored by the KGB, who try to intimidate them. One of them is taken into custody and ... See full summary »
A newly hired house-keeper in a secluded area is alarmed to discover that her boss's eleven-year-old daughter is using her supernatural powers to take revenge on the people she holds ... See full summary »
A bank robber is sentenced to prison for committing a murder during the robbery. His brother comes up with a plan to break him out of prison--but on the condition that his brother's girlfriend "date" him first.
Robert Walker Jr.
A hippie girl wandering on a California beach is taken in by a Korean War veteran who lives in a nearby mansion with his sister. The girl soon begins to suspect that the mansion is home to some very strange goings-on.Written by
Whilst editing the movie, after the shooting, Lawrence Harvey was such in pain because of his illness that he could not sit on any chair. He only squatted on the carpet on his elbows and his knees. See more »
The original UK cinema release featured the full uncut print. Warner Brothers later relinquished the rights to the film and it was then picked up by Brut Pictures who heavily re-edited it by around 15 minutes, removing most of the cannibalism elements. This shorter version was the print released on UK video by Hollywood Nites in 1988. See more »
"Food" for exploitation fanatics with an iron attention span
I honestly wouldn't go as far as to call "Welcome to Arrow Beach" a good film, not nearly in fact, but it's definitely an intriguing and bizarrely compelling mess! This film features the themes and plot aspects of a typically sick-spirited and coarse exploitation flick of the early 70s, but at the same time it has the cast and the musical guidance (Lou Rawls!) of a more sophisticated and ambitious melodrama. The supportive cast is already impressive, with names like Joanna Pettet and John Ireland, while the lead actor/director Laurence Harvey even briefly was a respectable A-listed actor who appeared in blockbusters like "The Manchurian Candidate" and "The Alamo". For some incomprehensible reason, Laurence Harvey decided – shortly before his untimely death due to stomach cancer – to direct himself depicting a dangerously disturbed Korean War veteran who lures gullible girls into the fancy beach house that he shares with his sister, but only with the intention to hack 'em up in the basement and EAT them! We slowly ( VERY slowly ), through incomplete and obscure flashbacks, learn that Harvey's character Jason Henry got forced to revert to cannibalism during the war in order to survive, which evidently left him severely traumatized and mentally unstable for life. The main problem with "Welcome to Arrow Beach", apart from the at times intolerably slow pacing, is that practically nothing happens and that the horror of it all almost exclusively relies on suggestion. We never see Jason Henry consume human flesh and there are only two short and rather vague sequences in which he waves around a meat cleaver and pulls the face of a genuine madman. The other 98% of the film's footage revolves around the naive but lush hippie girl Robbin Stanley (played by a young Meg Foster who only just recently had a glorious supportive role in Rob Zombie's "31") who consecutively survives a wicked hitch-hike with a crazed hot rod driver, narrowly escapes from Henry's slaughter basement, gets called a liar by the police and then flees with a hunky doctor's assistant. Then there's also the completely irrelevant and dull sub plot of the local Sheriff who runs a campaign in order to get re-elected There are a few isolated moments of suspense, mainly accomplished by Harvey himself thanks to his intense performance, and the fairly brutish massacre of a depressed middle-aged prostitute is the film's dubious highlight.
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