Boxer Germán Bronco Torres loses his license, and works as bouncer at the cabaret El Pirulí, where he falls for the waitress Carmen, and befriends of the pimp El Vaselinas, who lost a bet ... See full summary »
Miguel M. Delgado
A documentary following Kenzo Okuzaki, a 62-year-old WW2 veteran notorious for his protests against Emperor Hirohito, as he tries to expose the needless executions of two Japanese soldiers during the war.
Just out of prison, Nas returns to his neighborhood, Pigalle, where he finds his friends and his older brother Arezki, boss of the bar Le Prestige. Nas is determined to recreate a name and Le Prestige could well serve as a springboard .
The movie plot revolves around a burlesque theater called "Tivoli", located in downtown Mexico city. The Tivoli is about to be demolished by the corrupt major of Mexico city, and the artists struggle to try to save their workplace.
Throughout the movie we see a strong critique towards the Mexican political system of the time, where corrupt politicians run everything like a fiefdom, and live with double standards. While they publicly criticize the Tivoli as obscene and indecent, many of them are regular customers and they even "hire" the artists to do private functions in their mansions.
Arau's performance is in my opinion, the best in the whole film, but the decision to use a real life burlesque performer as the character "Eva Candela" proved to be disastrous, because Lyn May is a terrible actress, she barely knows how to deliver a line. The humor is very crude, and North American or European audiences may be shocked by the politically incorrect and sexist jokes made throughout the movie.
Nevertheless I recommend this movie because of the accurate depiction of Mexican (and maybe Latinamerican) society, a society where things are not always what they seem.
6 of 6 people found this review helpful.
Was this review helpful to you?
| Report this