In 1840's Buenos Aires, Argentina, a beautiful young socialite named Camila falls in love with Ladislao, a Jesuit priest. After several failed attempts at fighting his own feelings, he ... See full summary »
This films tells the true story of seven teenagers who agitated for reduced student bus fares under two different regimes in Argentina, with tragic results. At first succeeding under the ... See full summary »
Alejo García Pintos,
Mario and Ana, in voluntary exile from Buenos Aires, live in a remote Argentine valley with their 12-year-old son Ernesto. Mario runs a school and a wool cooperative; Ana, a doctor, heads a... See full summary »
Cuenta la historia de Jorge Pellegrini y Laura Ramallo a lo largo de casi dos décadas. Comienza en 1980 y termina en nuestros días. Cuenta le romance inicial, los posteriores desencuentros,... See full summary »
In 1920, some workers of Patagonia, grouped in anarchist and socialist societies, decide to make a strike demanding better working conditions. The situation becomes unsustainable and the government sends the order is restored.
A union organizing demolition worker and a friend of his decide to blackmail the corrupt company they work for setting up a fake accident. Because of a miscalculation the friend dies, but ... See full summary »
Julio De Grazia
"The Truce" by the Uruguayan writer Mario Benedetti is one of the few novels that can be qualified as "perfect"; no part is superfluous, nothing is lacking, the story is gray and low key but deeply moving. To make a film of a work of this quality is especially challenging; changes and omissions are necessary if only to fit the usual length of a movie. The script by Aída Bortnik and the director Sergio Renán rises to the challenge (the action has been transposed from Montevideo to Buenos Aires, a minor point). Watch the film, then read the book (if possible in the original Spanish).
What makes this movie memorable is the acting (Renan's direction of course has to do with this). Hector Alterio "is" Martin Santomé; after watching him you will find it difficult to imagine the character in any other way (Alterio went on to become a top actor both in Argentina and in Spain). The rest of the cast is equally excellent, especially Ana María Piccio as Laura Avellaneda. The veterans Lautaro Murúa and Norma Aleandro make the most of their small (but essential) parts. The music by Julián Plaza is just right. Very good cinematography by Juan Carlos Desanzo who later directed some celebrated Argentine movies, such as "Eva Perón: The True Story" (1996) and "El Polaquito" (2003).
To my knowledge, there is no Region 1 playable DVD of this movie (not to be confused with a 2003 Mexican version of the same novel). A shame.
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