Doug Roberts, Architect, returns from a long vacation to find work nearly completed on his skyscraper. He goes to the party that night concerned he's found that his wiring specifications have not been followed and that the building continues to develop short circuits. When the fire begins, Michael O'Halleran is the chief on duty as a series of daring rescues punctuate the terror of a building too tall to have a fire successfully fought from the ground.Written by
John Vogel <email@example.com>
When Doug Roberts (Paul Newman) climbs down the damaged escape stairs carrying Angela on his back, the flames below them can be seen through their bodies. The optical effects shot requires a traveling matte to mask the foreground details (the actors) from the background shot (the flames beneath them). The first overhead shot of Doug and Angela has an error that makes parts of their bodies transparent. See more »
[the firemen are trapped in an elevator shaft]
We'll go down by rope. We're gonna rappel down to 65, get on top of that elevator, use it as an exit.
I can't make it. I'll fall. I know I'll fall.
Okay. Then you better go first. That way when you fall, you won't take any of us with you.
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The 20th Century Fox and Warner Bros. Pictures logos don't appear in the beginning. See more »
Syndicated Network TV versions shorten Dan Bigelow catching fire and cut the scene of Lorrie's death, ending it where she screams "DAN!" and runs away. It then cuts to the firemen fighting the reception area blaze See more »
The More I See You
Music by Harry Warren
Played as the group is heading to the elevator after the tower's lighting ceremony See more »
When I was an impressionable teenager in 1975 I saw Towering Inferno 4 times at the cinema, Still a record for me, and despite the years and jaded view of middle age, this is still a thrilling film, mainly because the effects are so realistic, no CGI then, and the characters are so presented well (if a bit archly at times). I still cannot decide if the ending would actually put the fire out, but who cares, that countdown still gets to me. I forgot how good Paul Newman was in his role, and I can never forget Fred Astaire, such a smooth performance. Great cinema, daft in parts, but the best films always are.
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