Doug Roberts, Architect, returns from a long vacation to find work nearly completed on his skyscraper. He goes to the party that night concerned he's found that his wiring specifications have not been followed and that the building continues to develop short circuits. When the fire begins, Michael O'Halleran is the chief on duty as a series of daring rescues punctuate the terror of a building too tall to have a fire successfully fought from the ground.Written by
John Vogel <email@example.com>
The only Best Picture Oscar nominee that year not to be nominated in any of the writing categories. See more »
Even at the time this movie was made, according to fire regulations, "F. Alarm and Communications. 1. Every high-rise building shall have manual fire alarm boxes, which shall be located adjacent to exists into corridors, stairway shafts, and in every elevator lobby, and shall: a. Operate the voice alarm system, and place into operation all equipment necessary to prevent the re-circulation of smoke; b. Transmit an alarm directly to a U.L.-certified central receiving station and to the fire control center if the fire control center is required by other sections of this chapter. Such signal shall be zoned with a minimum of one zone per floor and a maximum of 10,000 square feet per zone.", yet not one of the security personal or anyone sounded an audible fire alarm that alerted every floor, especially the promenade where the party was being held. See more »
I brought you up here tonight to sell you a thousand shares in Greater Anaheim Power and Light.
Is it a good investment?
There is no Greater Anaheim Power and Light! Only the certificate I had printed. I must say, I think you'd have admired the artwork. Beautiful engraving.
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The 20th Century Fox and Warner Bros. Pictures logos don't appear in the beginning. See more »
Television Versions of the movie start with an alternate opening. Instead of the camera facing the helicopter at the left, the camera is on top of the helicopter, in view of the rocks that the helicopter will go over. See more »
The More I See You
Music by Harry Warren
Played as the group is heading to the elevator after the tower's lighting ceremony See more »
"Grand Hotel"-styled disaster epic that, along with the original "Airport" and "The Poseidon Adventure", became a monstrous money-maker which dominated not only economically, but also critically. "The Towering Inferno" is an intense affair as a high-rise skyscraper in San Francisco seems to be a state-of-the-art marvel, but sometimes things are not as perfect as they seem. There are still flaws in the building and naturally a small spark in a utility room will lead to an overwhelming night of terror and heroism. A who's who cast in Hollywood at the time makes up the mind-blowing list of performers. Paul Newman, Robert Vaughn, William Holden, Faye Dunaway, Steve McQueen, Susan Blakely, Richard Chamberlain, Robert Wagner and Jennifer Jones all make lasting impressions. However it is Fred Astaire (in an Oscar-nominated role of a lifetime) and then-Buffalo Bill superstar O.J. Simpson (showing the style, grace and power that he showed on the playing field here in his debut screen performance) that stand out and create a higher dimension to an honestly corn-filled story. A terribly difficult production to pull off due to the very large scope involved. The technical effects compete well with the all-world performers to make a stunningly impressive movie. Near the top of the usually ho-hum genre of the period. 4 stars out of 5.
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