6.2/10
668
10 user 19 critic

Don't Touch the White Woman! (1974)

Touche pas à la femme blanche (original title)
A highly stylized surreal farce about the events leading up to Custer's Last Stand anachronistically reenacted in an urban renewal area in modern Paris.

Director:

Marco Ferreri
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Cast

Cast overview, first billed only:
Catherine Deneuve ... Marie-Hélène de Boismonfrais
Marcello Mastroianni ... George A. Custer
Michel Piccoli ... Buffalo Bill
Philippe Noiret ... Gen. Terry
Ugo Tognazzi ... Mitch
Alain Cuny ... Sitting Bull
Serge Reggiani ... The Mad Indian
Darry Cowl ... Major Archibald
Monique Chaumette Monique Chaumette ... Sister Lucie
Daniele Dublino ... Government Official
Henri Piccoli Henri Piccoli ... Sitting Bull's Father
Franca Bettoia ... Rayon de Lune (as Franca Bettoja)
Paolo Villaggio ... The CIA agent
Franco Fabrizi ... Tom (as Franco Fabrizzi)
Laurente Vedres Laurente Vedres ... (as Vedres et Boutang)
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Storyline

Director Mario Fererri reenacts the events leading up to the Battle of the Little Big Horn in this wild, highly stylized surreal farce set in and around a gaping excavation for a huge urban renewal project in 1974 Paris. The anachronistic backdrop highlights the incongruity of the broad comic characterizations of real life figures George Armstrong Custer, Sitting Bull, and Buffalo Bill. Written by duke1029@aol.com

Plot Summary | Add Synopsis

Genres:

Comedy | Western

Certificate:

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Details

Country:

France | Italy

Language:

French

Release Date:

23 January 1974 (France) See more »

Also Known As:

Don't Touch the White Woman! See more »

Filming Locations:

Les Halles, Paris, France

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Eastmancolor)

Aspect Ratio:

1.66 : 1
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Did You Know?

Quotes

Marie-Hélène de Boismonfrais: What I don't understand is the Indian's attitude. It's obvious that the Lord gave this land to white men so they could settle here, so why do they resist?
George A. Custer: Because they're savages. They're savages. I sometimes feel they're possessed by demons.
Marie-Hélène de Boismonfrais: May God preserve us from that!
George A. Custer: God and the Seventh Cavalry!
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Connections

Edited into Marcello, una vita dolce (2006) See more »

Soundtracks

So Soft and So Sweet
Music by Philippe Sarde
Lyrics by Anne Lonnberg
Performed by Bob Martin
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User Reviews

 
Dated attempt to screwer French & American Capitalism and Manifest Destiny
13 April 2013 | by PKazeeSee all my reviews

1974's DON'T TOUCH THE WHITE WOMAN! is an an odd, farcical critique of Capitalism and Manifest Destiny setting General Custer's Battle of the Little Bighorn in the early'70's with Richard Nixon as President, and a large, controversial, construction pit in Paris, France filling in for the site of the famed Montana massacre. The location of the pit, known as Les Halles, had been Paris's central wholesale marketplace for nearly 800 years before being razed to make way of a multi-tiered commercial business center/modern shopping mall, and - particularly important to the City's growth - a central railroad hub (something that it's helpful to know in order to fully "get" an allegory in the film regarding the need to displace or eliminate the local Natives in order to make way for the railroad). Additional contemporary political commentary surfaces when justifications given for taking action against the Natives, parallel those used by the French against the Algerians, and by both the French and Americans in Vietnam. If all this makes the movie sound thoughtful or fascinating, I am sorry to report that it is neither, the most interesting aspects being the broad performances by an all-star cast led by Catherine Deneuve (Madame Boismonfrais; trans. Freshwood?), Marcello Mastroianni (Gen. Custer), Michel Piccoli (Buffalo Bill), Philippe Noiret (Gen. Terry) and La Cage aux Folles co-star, Ugo Tognazzi as Custer's famed Indian Scout, Mitch Bouyer, portrayed here as a duplicitous chameleon playing both sides, while selling "Indian artifacts" to tourists that are actually made by white women in sweatshop conditions.


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