A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
Nun Sara is on the run in Mexico and is saved from cowboys by Hogan, who is preparing for a future mission to capture a French fort. The pair become good friends, but Sara never does tell him the true reason behind her being outlawed.
Seven years after a daring bank robbery involving an anti-tank gun used to blow open a vault, the robbery team temporarily puts aside their mutual suspicions to repeat the crime after they are unable to find the loot from the original heist, hidden behind a school chalkboard. The hardened artilleryman and his flippant, irresponsible young sidekick are the two wild cards in the deck of jokers.Written by
Clint Eastwood and Geoffrey Lewis would go on to play brothers in Every Which Way Loose (1978) and Any Which Way You Can (1980). See more »
At the end of the movie as Thunderbolt drives the new convertible out of the dealer's garage the camera and 2 crew can be seen reflected in the passenger side door. See more »
[John Doherty, aka Thunderbolt, dressed in preacher's garb, has jumped into Lightfoot's stolen Trans-Am]
I thought you were the heat.
Do I look like heat?
You look like one crazy sonofabitch for a preacher, I'll tell ya' that.
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I think this movie gets lost in all the commercial Clint Eastwood vehicles,it far surpasses most of his 70's attempts. This is mostly due to Cimino's script and Bridges acting and honest words.This is far more than a buddy picture,rather one of the greatest love stories on film(all homosexual connotations aside),taking the male relationship in film to new levels because of the contrast of characters and there immediate like for one another.Skipped is most of the bickering used in lessor buddy flicks instead great interaction between the two and Clint still gets to shine as one of the coolest tough guys of the 70's.Great cinematography coupled with beautiful backdrops and a fine supporting cast make this a must see.
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