IMDb RATING
6.4/10
8.7K
YOUR RATING
A young woman, rendered mute after a childhood sexual assault, is trained to seek violent revenge on those who kidnapped and forced her into prostitution.A young woman, rendered mute after a childhood sexual assault, is trained to seek violent revenge on those who kidnapped and forced her into prostitution.A young woman, rendered mute after a childhood sexual assault, is trained to seek violent revenge on those who kidnapped and forced her into prostitution.
Per-Axel Arosenius
- Madeline's Father
- (as Per Axel Arosenius)
Marshall McDough
- Karate Teacher
- (as Marshal Mc Donagh)
Storyline
Did you know
- TriviaIn a 2009 interview with Film Bizarro, a website dedicated to underground and independent films, Christina Lindberg confirmed that she did not appear in the hardcore sex scenes featured in the uncut version of the film. The actors were "Romeo and Juliet", a couple known for traveling around in their vehicle to perform live sex shows.
- GoofsWhen the police car runs over a piece of grass between two roads, you can clearly see tire tracks from earlier takes.
- Alternate versionsUS version was heavily edited (ca. 20 min.) for a R rating. DVD release by Synapse is uncut.
- ConnectionsFeatured in 42nd Street Forever! Volume 1: Horror on 42nd Street (2004)
Featured review
Exploitation cinema in all its glory, or not, depending on your own personal peccadilloes! Directed, written and produced by Bo Arne Vibenius, Thriller - en grym film (AKA: They Call Her One Eye) is an infamous picture for a number of reasons, reasons that would take a whole page to write about. So use your mouse and google it because this review isn't interested in dabbling in such fare.
Plot sees a young Madeline raped by a paedophile and rendered mute by the experience. Into early adulthood and Madeline (played superbly by soft core porn starlet Christinia Lindberg) unwisely takes up the offer of a lift from the odious Tony (Heinz Hopf). Pretty soon she's addicted to heroin and working as a prostitute. However, Madeline is biding her time, for she has plans, plans that spell doom for all her abusers.
Does this film have artistic merit? Absolutely! In fact if you take out the inserted pornographic close-ups, which are pointless since we already know what Madeline is going through (a supposed marketing tool of the era apparently...) then this is a kick-ass film. It's a two parter, where the first half shows all of Madeline's misery, with sexual disturbance and body horror, then we switch to Madeline's fight back, where we get one of the coolest anti-heroines of 70s exploitation. She's sporting an eye patch, a glorious black trench coat, and weapons, oh yes! There are weapons, hands, guns and cars, oh my! It's here where Vibenius asks the question about justifiable revenge, whilst the super slow-mo approach to the violence will either be viewed as indulgent or classy (I'm with the latter camp).
It is what it is, grungy and grimy, operating in a specialist niche of cinema, but worthy in that it didn't conform, and it has proved influential. It's just not a date movie or something to watch with you mom! Right, I'm off for a bath. 7/10
Plot sees a young Madeline raped by a paedophile and rendered mute by the experience. Into early adulthood and Madeline (played superbly by soft core porn starlet Christinia Lindberg) unwisely takes up the offer of a lift from the odious Tony (Heinz Hopf). Pretty soon she's addicted to heroin and working as a prostitute. However, Madeline is biding her time, for she has plans, plans that spell doom for all her abusers.
Does this film have artistic merit? Absolutely! In fact if you take out the inserted pornographic close-ups, which are pointless since we already know what Madeline is going through (a supposed marketing tool of the era apparently...) then this is a kick-ass film. It's a two parter, where the first half shows all of Madeline's misery, with sexual disturbance and body horror, then we switch to Madeline's fight back, where we get one of the coolest anti-heroines of 70s exploitation. She's sporting an eye patch, a glorious black trench coat, and weapons, oh yes! There are weapons, hands, guns and cars, oh my! It's here where Vibenius asks the question about justifiable revenge, whilst the super slow-mo approach to the violence will either be viewed as indulgent or classy (I'm with the latter camp).
It is what it is, grungy and grimy, operating in a specialist niche of cinema, but worthy in that it didn't conform, and it has proved influential. It's just not a date movie or something to watch with you mom! Right, I'm off for a bath. 7/10
- hitchcockthelegend
- Mar 12, 2016
- Permalink
Details
- Runtime1 hour 44 minutes
- Sound mix
- Aspect ratio
- 1.66 : 1
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Top Gap
By what name was Thriller: A Cruel Picture (1973) officially released in India in English?
Answer