6.5/10
5,961
86 user 108 critic

Thriller: A Cruel Picture (1973)

Thriller - en grym film (original title)
A young woman, muted after a sexual assault as a child, is trained to seek violent revenge on those who have wronged her after being kidnapped and forced to work as a prostitute.

Director:

(as Alex Fridolinski)

Writers:

(screenplay) (as Bo A Vibenius), (an original story) (as Alex Fridolinski)
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Cast

Cast overview, first billed only:
... Frigga
... Tony
Despina Tomazani ... Lip-stick lesbian
Per-Axel Arosenius ... Frigga's Father (as Per Axel Arosenius)
... Sally
Björn Kristiansson
Marie-Louise Mannervall ... Woman in village
Hildur Lindberg ... Mother's Friend
Stig Lokrantz
Olle Nordlander
Marshall McDough ... (as Marshal Mc Donagh)
Gunnar Palm
Pamela Pethö-Galantai ... Young Frigga
Lennart Robertsson
Hans-Eric Stenborg
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Storyline

Rendered mute after a horrific assault in the park by a sadistic old paedophile, young Madeleine tries to escape the traumatic experience living in silence in her parents' farmhouse. However, things will take a turn for the worse, when an innocent offer for a lift by a handsome stranger in a flashy sports-car leads to a nightmarish life of prostitution, abuse, and drug addiction. But when Madeleine finds out her evil pimp's cruel scheme, an irrevocable course of sweet retribution and a deadly sawed-off double-barrelled shotgun will inevitably set the stage for a bloody roaring rampage of revenge. And then, no one will ever dare to harm her again. Never again. Written by Nick Riganas

Plot Summary | Add Synopsis

Taglines:

Meet One Eye, the Swedish Vice-Girl. They forced her to learn the twisted side of love. See more »

Genres:

Action | Thriller

Certificate:

See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

5 June 1974 (USA)  »

Also Known As:

Hooker's Revenge  »

Company Credits

Production Co:

,  »
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Technical Specs

Runtime:

| (heavily cut) | (R-rated) | (R-rated cut)

Sound Mix:

Color:

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

The name "Frigga" is from Swedish mythology. She was queen over the Gods and Odin's wife. Odin is of course famous for being one-eyed. See more »

Goofs

When the police car runs over a piece of grass between two roads, you can clearly see tire tracks from earlier takes. See more »

Quotes

Tony: I like women who don't talk too much... but you set a new record!
See more »

Connections

Spoofed in Sex, lögner & videovåld (2000) See more »

Frequently Asked Questions

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User Reviews

 
Madeline Marauds!
13 March 2016 | by See all my reviews

Exploitation cinema in all its glory, or not, depending on your own personal peccadilloes! Directed, written and produced by Bo Arne Vibenius, Thriller - en grym film (AKA: They Call Her One Eye) is an infamous picture for a number of reasons, reasons that would take a whole page to write about. So use your mouse and google it because this review isn't interested in dabbling in such fare.

Plot sees a young Madeline raped by a paedophile and rendered mute by the experience. Into early adulthood and Madeline (played superbly by soft core porn starlet Christinia Lindberg) unwisely takes up the offer of a lift from the odious Tony (Heinz Hopf). Pretty soon she's addicted to heroin and working as a prostitute. However, Madeline is biding her time, for she has plans, plans that spell doom for all her abusers.

Does this film have artistic merit? Absolutely! In fact if you take out the inserted pornographic close-ups, which are pointless since we already know what Madeline is going through (a supposed marketing tool of the era apparently...) then this is a kick-ass film. It's a two parter, where the first half shows all of Madeline's misery, with sexual disturbance and body horror, then we switch to Madeline's fight back, where we get one of the coolest anti-heroines of 70s exploitation. She's sporting an eye patch, a glorious black trench coat, and weapons, oh yes! There are weapons, hands, guns and cars, oh my! It's here where Vibenius asks the question about justifiable revenge, whilst the super slow-mo approach to the violence will either be viewed as indulgent or classy (I'm with the latter camp).

It is what it is, grungy and grimy, operating in a specialist niche of cinema, but worthy in that it didn't conform, and it has proved influential. It's just not a date movie or something to watch with you mom! Right, I'm off for a bath. 7/10


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