A fictionalized former President Richard M. Nixon offers a solitary, stream-of-consciousness reflection on his life and political career - and the "true" reasons for the Watergate scandal and his resignation.
The Disciples of James Dean meet up on the anniversary of his death and mull over their lives in the present and in flashback, revealing the truth behind their complicated lives. Who is the... See full summary »
Two convicts break out of Mississippi State Penitentiary in 1936 to join a third on a long spree of bank robbing, their special talent and claim to fame. The youngest of the three falls in love along the way with a girl met at their hideout, the older man is a happy professional criminal with a romance of his own, the third is a fast lover and hard drinker fond of his work. The young lovers begin to move out of the sphere in which they have met, a last robbery in Yazoo City goes badly and puts paid to the gang once and for all as a profitable venture, but isn't the end of the story quite yet, as all three are wanted and notorious men with altogether different points of view on the situation they are faced with.Written by
In one of the old radio clips early in the film, the announcer talks about Seabiscuit winning the $25,000 Butler Handicap at Empire City Race Track. The actual date of Seabiscuit winning that race is July 10, 1937, which would place it after the end of the movie which concludes in the Spring of 1937. (Also, later in the film, we hear a radio broadcast of Franklin D. Roosevelt's second inaugural address, which occurred on January 20, 1937. Although the Seabiscuit race took place six months *after* Roosevelt's second inauguration, the film places the race broadcast *before* the inauguration speech.) See more »
I come from the Ozarks. All we grow there is rocks and tomatoes.
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I am not an Altman fan, but this film is superb. For those who say he ripped off Bonnie and Clyde, check out They Live By Night and see almost the same story, but here the relationship between Carradine and Duvall forces us to root for them and hope that somehow they can change their life. Was there ever a bath more haunting than Duvall's?
The robberies are shot so matter of fact. There's no pounding score in the background, no elaborate plans are set and we don't see men looking at their watches, timing things. The radio plays, people swizzle Cokes and dogs bark, while the three men pull almost casually stroll in and rob the bank.
I am struck by the similarity between the last scene here and in From Here to Eternity: the lover of the dead man traveling to another place, while painting an idealized picture of their beau. Watch it and pay attention; it's a fine work of art.
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