Two siblings and three of their friends en route to visit their grandfather's grave in Texas end up falling victim to a family of cannibalistic psychopaths and must survive the terrors of Leatherface and his family.
Fifteen years after murdering his sister on Halloween night 1963, Michael Myers escapes from a mental hospital and returns to the small town of Haddonfield, Illinois to kill again.
Director:
John Carpenter
Stars:
Donald Pleasence,
Jamie Lee Curtis,
Tony Moran
The monstrous spirit of a slain child murderer seeks revenge by invading the dreams of teenagers whose parents were responsible for his untimely death.
Director:
Wes Craven
Stars:
Heather Langenkamp,
Johnny Depp,
Robert Englund
A group of camp counselors are stalked and murdered by an unknown assailant while trying to reopen a summer camp where, years before, it was the site of a child's drowning and a grisly double murder.
Director:
Sean S. Cunningham
Stars:
Betsy Palmer,
Adrienne King,
Jeannine Taylor
After picking up a traumatized young hitchhiker, five friends find themselves stalked and hunted by a deformed chainsaw-wielding loon and his family of equally psychopathic killers.
Director:
Marcus Nispel
Stars:
Jessica Biel,
Jonathan Tucker,
Andrew Bryniarski
Carrie White, a shy, friendless teenage girl who is sheltered by her domineering, religious mother, unleashes her telekinetic powers after being humiliated by her classmates at her senior prom.
A year after the murder of her mother, a teenage girl is terrorized by a new killer, who targets the girl and her friends by using horror films as part of a deadly game.
Director:
Wes Craven
Stars:
Neve Campbell,
Courteney Cox,
David Arquette
A ragtag group of Pennsylvanians barricade themselves in an old farmhouse to remain safe from a bloodthirsty, flesh-eating breed of monsters who are ravaging the East Coast of the United States.
En route to visit their grandfather's grave (which has apparently been ritualistically desecrated), five teenagers drive past a slaughterhouse, pick up (and quickly drop) a sinister hitch-hiker, eat some delicious home-cured meat at a roadside gas station, before ending up at the old family home... where they're plunged into a never-ending nightmare as they meet a family of cannibals who more than make up in power tools what they lack in social skills...Written by
Michael Brooke <michael@everyman.demon.co.uk>
Even in his lift boots, Gunnar Hansen could run faster than Marilyn Burns, so he had to do random things when chasing her through the woods (you'll notice in one head-on shot that he starts slicing up tree branches in the background). See more »
Goofs
When the group of teenagers pick up the hitchhiker, he goes crazy and cuts Franklin's arm, so they throw him out. As they throw him out, the van-door windows are shut. In the following inside shots, they're open. See more »
Quotes
[first lines]
Narrator:
The film which you are about to see is an account of the tragedy which befell a group of five youths, in particular Sally Hardesty and her invalid brother, Franklin. It is all the more tragic in that they were young. But, had they lived very, very long lives, they could not have expected nor would they have wished to see as much of the mad and macabre as they were to see that day. For them an idyllic summer afternoon drive became a nightmare. The events of that day were to lead to ...
See more »
Crazy Credits
Opening credits prologue: The film which you are about to see is an account of the tragedy which befell a group of five youths, in particular Sally Hardesty and her invalid brother, Franklin. It is all the more tragic in that they were young. But, had they lived very, very long lives, they could not have expected nor would they have wished to see as much of the mad and macabre as they were to see that day. For them an idyllic summer afternoon drive became a nightmare.
The events of that day were to lead to the discovery of one of the most bizarre crimes in the annals of American history, The Texas Chain Saw Massacre.
A scene was filmed but cut in which Pam and Kirk come across a campground outside the slaughterhouse where people were murdered, and Kirk finds a pocket-watch nailed to a tree. A scene was cut that explained one of the film's continutity errors: During the dinner scene, Leatherface gets up, goes into his bedroom, and fixes up his mask with makeup. In the original cut of the film, there was a closeup shot of Hitchhiker after he's hit by the mac-truck. See more »
The (original) Texas Chainsaw Massacre, is without a doubt in my mind, the most impressive horror film to date. No other horror film stays with you in the same way. You feel not only fearful for the characters, but at times feel afraid for your own safety. The natural lighting and loose, improvised acting style creates a strong sense of reality that no other horror film can possibly achieve. Under a thin layer of dated aesthetics (1973 style of dress) lies the most dangerous, horrifying and psychotic world ever committed to script or screen. As the first of its kind, this movie set the mold for the modern horror film, though none were ever to realize any comparable distinction. It gave birth to the "slasher" genre (for better or for worse) . It is also one of few timeless films that has managed to combine horror and avant-garde styles, successfully. Unlike its remake, this one is more of an exercise in minimalism and simplicity (think even Dogme). The expert subtlety of the filmmakers; Tobe Hooper (writer/director), Kim Henkel (co-writer) and Daniel Pearl (cinematographer) results more in
psychological terror than in gore. The air-tight script, jarring realism and attention to detail are unparalleled in practically any film, horror or otherwise. And last, but by far not the least Marylin Burns PHENOMENAL performance is the only in cinematic history (a close second by that of Shelly Duvall in The Shining) that evokes such a nature of desperate and primal fear. You truly believe in every single one of her screams that her life is hanging by a single, thin thread.
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The (original) Texas Chainsaw Massacre, is without a doubt in my mind, the most impressive horror film to date. No other horror film stays with you in the same way. You feel not only fearful for the characters, but at times feel afraid for your own safety. The natural lighting and loose, improvised acting style creates a strong sense of reality that no other horror film can possibly achieve. Under a thin layer of dated aesthetics (1973 style of dress) lies the most dangerous, horrifying and psychotic world ever committed to script or screen. As the first of its kind, this movie set the mold for the modern horror film, though none were ever to realize any comparable distinction. It gave birth to the "slasher" genre (for better or for worse) . It is also one of few timeless films that has managed to combine horror and avant-garde styles, successfully. Unlike its remake, this one is more of an exercise in minimalism and simplicity (think even Dogme). The expert subtlety of the filmmakers; Tobe Hooper (writer/director), Kim Henkel (co-writer) and Daniel Pearl (cinematographer) results more in
psychological terror than in gore. The air-tight script, jarring realism and attention to detail are unparalleled in practically any film, horror or otherwise. And last, but by far not the least Marylin Burns PHENOMENAL performance is the only in cinematic history (a close second by that of Shelly Duvall in The Shining) that evokes such a nature of desperate and primal fear. You truly believe in every single one of her screams that her life is hanging by a single, thin thread.