Two siblings and three of their friends en route to visit their grandfather's grave in Texas end up falling victim to a family of cannibalistic psychopaths and must survive the terrors of Leatherface and his family.
En route to visit their grandfather's grave (which has apparently been ritualistically desecrated), five teenagers drive past a slaughterhouse, pick up (and quickly drop) a sinister hitch-hiker, eat some delicious home-cured meat at a roadside gas station, before ending up at the old family home... where they're plunged into a never-ending nightmare as they meet a family of cannibals who more than make up in power tools what they lack in social skills...Written by
Michael Brooke <email@example.com>
The film's original distributor was Bryanston Distribution Company, which turned out to be a Mafia front operated by Louis Peraino ("Butchie"), who used the movie to launder profits he made from Deep Throat (1972). In return, the production received only enough money to reimburse the investors and pay the cast and crew $405 apiece. The producers eventually discovered that Peraino had lied to them about the film's profits; after he was arrested on obscenity charges when his role in "Deep Throat" was revealed, the cast and crew filed suit against him and were awarded $25,000 each. New Line Cinema, which obtained the rights to the film from the now-bankrupt Bryanston, paid off the cast and crew as part of the purchase agreement. See more »
When Leatherface chases Sally into the house the first time and she escapes through an upstairs window, he corners her on the stairs and she leaps out a window off the hallway on the second floor. However, when Leatherface appears in the empty window frame after she jumps, he's standing in an attic window with a gable. See more »
The film which you are about to see is an account of the tragedy which befell a group of five youths, in particular Sally Hardesty and her invalid brother, Franklin. It is all the more tragic in that they were young. But, had they lived very, very long lives, they could not have expected nor would they have wished to see as much of the mad and macabre as they were to see that day. For them an idyllic summer afternoon drive became a nightmare. The events of that day were to lead to ...
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Opening credits prologue: The film which you are about to see is an account of the tragedy which befell a group of five youths, in particular Sally Hardesty and her invalid brother, Franklin. It is all the more tragic in that they were young. But, had they lived very, very long lives, they could not have expected nor would they have wished to see as much of the mad and macabre as they were to see that day. For them an idyllic summer afternoon drive became a nightmare.
The events of that day were to lead to the discovery of one of the most bizarre crimes in the annals of American history, The Texas Chain Saw Massacre.
A scene was filmed but cut in which Pam and Kirk come across a campground outside the slaughterhouse where people were murdered, and Kirk finds a pocket-watch nailed to a tree. A scene was cut that explained one of the film's continutity errors: During the dinner scene, Leatherface gets up, goes into his bedroom, and fixes up his mask with makeup. In the original cut of the film, there was a closeup shot of Hitchhiker after he's hit by the mac-truck. See more »
The (original) Texas Chainsaw Massacre, is without a doubt in my mind, the most impressive horror film to date. No other horror film stays with you in the same way. You feel not only fearful for the characters, but at times feel afraid for your own safety. The natural lighting and loose, improvised acting style creates a strong sense of reality that no other horror film can possibly achieve. Under a thin layer of dated aesthetics (1973 style of dress) lies the most dangerous, horrifying and psychotic world ever committed to script or screen. As the first of its kind, this movie set the mold for the modern horror film, though none were ever to realize any comparable distinction. It gave birth to the "slasher" genre (for better or for worse) . It is also one of few timeless films that has managed to combine horror and avant-garde styles, successfully. Unlike its remake, this one is more of an exercise in minimalism and simplicity (think even Dogme). The expert subtlety of the filmmakers; Tobe Hooper (writer/director), Kim Henkel (co-writer) and Daniel Pearl (cinematographer) results more in
psychological terror than in gore. The air-tight script, jarring realism and attention to detail are unparalleled in practically any film, horror or otherwise. And last, but by far not the least Marylin Burns PHENOMENAL performance is the only in cinematic history (a close second by that of Shelly Duvall in The Shining) that evokes such a nature of desperate and primal fear. You truly believe in every single one of her screams that her life is hanging by a single, thin thread.
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