Seven guests, a newly hired personal secretary and two staff are gathered on an isolated island by an absent host and someone begins killing them off one by one. They work together to determine who is the killer?
A psychological thriller based on the novel by Agatha Christie. Ten strangers are forced to come face to face with their dark pasts after receiving invitation to an isolated island off the coast of England.
Imprisoned Harry Lomart is a vicious, brute of a man and yet he is prepared to do his long jail term as he is confident that on his release his beautiful wife Pat will be waiting for him, but a visit from Pat brings him his worst nightmare.
A group is invited, under false pretenses, to an isolated hotel in the Iranian desert. After dinner, a cassette tape accuses them all of crimes that they have gotten away with. One by one they begin to die, in accordance to the Ten Little Indians nursery rhyme. After a search is made of the hotel, they realize that the murderer is one of them. A few members of the group attempt to trust each other, but the question still remains, who can one trust? And who will leave the hotel alive? Written by
The scenes from the Spanish-version subplot, while entirely extraneous to the plot, feature stunning indoor and outdoor vistas of landmark architecture and landscapes in Iran, as well as musical motifs by Bruno Nicolas that do not appear elsewhere in the film. See more »
Large parts of the dialogue are lifted, whole and entire, from the original version - but not all of them. In the original, Blore advises Vera to go to her room and stay there, then later scolds her for not doing so. In this version, the second half of their exchange is repeated - but the first half isn't. So when Blore yells, "Ms. Clyde! I told you to stay in your room!", he is referencing a conversation that didn't happen. See more »
This is a pretty good one,in my opinion certainly as good as the other 3,maybe even better.Filmed in both Spain and Iran,this version takes place in the vast expanse of the desert.Perhaps because it's so 1970's,I kind of favor it.The music in this in my opinion is expertly ominous,fitting in perfectly with the various scenes which keep the viewer guessing and in a state of intrigue.People seem to judge this one negatively alongside the standards they reserved for the 1966 version,but in my opinion this '74 one more than holds its own.All I can say is that Richard Attenborough is WONDERFUL!!! Oliver Reed and Elke Sommer give stellar performances,but Attenborough takes the prize and cake in this.
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