In the contest of the "most virgin" Miss Monde 1984, Miss Canada wins, and prize is the marriage with the milk industry tycoon with his fifty billion dollars fortune. In their honeymoon, ...
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Two friends meet again to share their last days in an old house where everything happened a long time ago. They gather a group of people, which results in a disastrous turn of events, during which reveals the deepest human depths.
Notorious Baltimore criminal and underground figure Divine goes up against a sleazy married couple who make a passionate attempt to humiliate her and seize her tabloid-given title as "The Filthiest Person Alive".
In the contest of the "most virgin" Miss Monde 1984, Miss Canada wins, and prize is the marriage with the milk industry tycoon with his fifty billion dollars fortune. In their honeymoon, Miss Canada "does not accept" the golden prostate of her husband, and with the support of the family bodyguard Jeremiah Muscle, she gets boarded to Paris. There she meets a Latin lip-sync singer, El Macho, they have an intercourse in Eiffel Tour and they get stuck together. She moves to an anarchic community of sodomy and later she becomes an actress working in a erotic chocolate advertisement. Meanwhile, the revolutionary, pedophile, and mad killer Anna Planeta makes candy in her boat while sailing through the canals of a city that seems to be Amsterdam. She meets the sailor Potemkin and they have a torrid affair. Meanwhile she uses her candies to seduce young boys and kill her lovers. In the middle of the story, it is presented what seem to be footages of a Nazi doctor and a slaughter in a war with ...Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Originally the entire movie was intended to be about the adventures of Miss Canada, but the actress portraying her, Carole Laure, quit during the commune scene. After that the plot about the female boat captain was written and added to the movie. See more »
They don't make movies like this anymore. Even Dusan Makavejev himself shied from experimenting further along the route of sexual anarchy, ending up as a pale shadow of his former, rousing self. It brings to memory the golden days of the early 70's, when radical sex and politics thrived in the cinemas along with traditional Hollywood-fare, and movies were still considered dangerous and subversive. The movie itself is funny, tasteless, allegorical and even has glorious in-jokes. Like the river-boat "Potemkin" sailing down the Seine with the enormous head of Lenin in the prow. The gold-painted, urinating penis was, by the way, not cut from the picture when I saw it at the age of 15. I never recovered from the shock.
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