A woman attempts to reunite her family by helping her husband escape prison and together kidnapping their son. But things don't go as planned when they are forced to take a police hostage on the road.
In 1839, the revolt of Mende captives aboard a Spanish owned ship causes a major controversy in the United States when the ship is captured off the coast of Long Island. The courts must decide whether the Mende are slaves or legally free.
Director:
Steven Spielberg
Stars:
Djimon Hounsou,
Matthew McConaughey,
Anthony Hopkins
Four horror and science fiction segments, directed by four famous directors, each of them being a new version of a classic story from Rod Serling's landmark television series.
Lou-Jean, a blonde woman, tells her husband, who is imprisoned, to escape. They plan to kidnap their own child, who was placed with foster parents. The escape is partly successful, they take a hostage, who is a policeman and are pursued through to Texas...Written by
Kornel Osvart <kornelo@alphanet.hu>
When the caravan is driving through the large crowd in Rodrigo, a bystander hands Lou Jean a piglet as a gift. Lou Jean proceeds to declare, "He's peeing on me!" several times. According to Steven Spielberg, this is because the piglet did start urinating on Goldie Hawn during the scene. See more »
Goofs
The "Texas" of this film is a figment of the filmmakers'
imagination. The trip from just outside Houston to Sugar Land takes two days, and Sugar Land is a few miles from the Mexican border. In fact, Sugar Land is a municipality southwest of Houston, not much more than an hour from anywhere in the Houston metro area. And Houston is on the Texas Gulf Coast, two days' drive from the border. See more »
Petty crook is busted out of pre-release jail by his determined-yet-reckless wife; seems their infant son has been farmed out to a wealthy foster couple while the two were behind bars and the Mrs. wants her baby back now. Director Steven Spielberg's first theatrical film has a scene midway through that still takes my breath away: Goldie Hawn and William Atherton take refuge in a mobile home parked in a lot behind a drive-in movie theater, a cartoon is up on the screen and Atherton supplies the sound effects--but, as the cartoon descends into violence, he stares out the window while his wife giggles on, oblivious to the parallels between the film and the paths their lives have taken. It's a miraculous moment in a high-spirited comedy-drama about trying to get what you want--even at the expense of the law. I'm surprised most Spielberg fans turn their noses up at this movie, it's one of his best. The finale doesn't really work (the picture switches gears too many times and eventually leaves us eating dust), but Goldie Hawn's performance is brave and funny and wonderful. In fact all the acting is excellent, right down to the last two-line player. *** from ****
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Petty crook is busted out of pre-release jail by his determined-yet-reckless wife; seems their infant son has been farmed out to a wealthy foster couple while the two were behind bars and the Mrs. wants her baby back now. Director Steven Spielberg's first theatrical film has a scene midway through that still takes my breath away: Goldie Hawn and William Atherton take refuge in a mobile home parked in a lot behind a drive-in movie theater, a cartoon is up on the screen and Atherton supplies the sound effects--but, as the cartoon descends into violence, he stares out the window while his wife giggles on, oblivious to the parallels between the film and the paths their lives have taken. It's a miraculous moment in a high-spirited comedy-drama about trying to get what you want--even at the expense of the law. I'm surprised most Spielberg fans turn their noses up at this movie, it's one of his best. The finale doesn't really work (the picture switches gears too many times and eventually leaves us eating dust), but Goldie Hawn's performance is brave and funny and wonderful. In fact all the acting is excellent, right down to the last two-line player. *** from ****