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The Story of Jacob and Joseph (1974)

A film telling the Biblical stories of the last of the Hebrew Patriarchs in the Book of Genesis.

Director:

Michael Cacoyannis

Writer:

Ernest Kinoy
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Cast

Cast overview, first billed only:
Keith Michell ... Jacob
Tony Lo Bianco ... Joseph
Colleen Dewhurst ... Rebekah
Herschel Bernardi ... Laban
Harry Andrews ... Isaac
Julian Glover ... Esau
Yona Elian ... Rachel
Joseph Shiloach ... Pharaoh (as Yosef Shiloach)
Rahel Shor Rahel Shor ... Potiphar's Wife (as Rachel Shore)
Bennes Mardenn Bennes Mardenn ... Potiphar
Yehuda Efroni ... Reuben
Yossi Graber ... Butler
Shmuel Atzmon ... Judah
Amnon Meskin Amnon Meskin ... Baker
Zila Carni Zila Carni ... Leah (as Zila Karney)
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Storyline

This film recounts the tales of the Biblical figures, Jacob and Joseph. The first part tells the story of Jacob fleeing his tribe when he cheats his brother out of his birthright, gets cheated himself in his exile years while learning of the need to make amends. The second part is of the story of Jacob's favourite son, Joseph. Betrayed and sold into slavery by his brothers, he meets and overcomes all adversity to become the Prime Minister of Egypt, second only to the Pharoah. Written by Kenneth Chisholm <kchishol@execulink.com>

Plot Summary | Add Synopsis

Taglines:

Brother against brother in a classic tale of envy and greed.

Genres:

Drama | History

Certificate:

PG | See all certifications »
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Details

Country:

USA

Language:

English | Greek

Release Date:

7 April 1974 (USA) See more »

Also Known As:

A História de José e Jacó See more »

Filming Locations:

Israel

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Connections

Version of Jacob (1994) See more »

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User Reviews

 
THE STORY OF JACOB AND Joseph (TV) (Michael Cacoyannis, 1974) ***
11 April 2009 | by Bunuel1976See all my reviews

Several Bible-related TV films were made over the years, some by noted directors: for last year's Easter schedule, in fact, I had included Ermanno Olmi's GENESIS: THE CREATION AND THE FLOOD (1994) and Nicolas Roeg's SAMSON AND DELILAH (1996); incidentally, at the time, I also caught Joseph AND HIS BRETHREN (1960) – which, of course, tells of the same events (or, at least, the second half of it) as the film under review. This is pretty much straightforward stuff, not particularly inspired but certainly decent; as for myself, I vaguely recalled some of the passages depicted from Catechism classes I attended in my childhood – such as when Isaac's second-born, clean-shaven shepherd Jacob, dresses up in the hirsute guise of his sibling, the hunter Esau, in order that their dying father bless and relinquish the legacy of God's chosen people upon him instead (while the elder son is away expressly to prove his mettle required for this great task!). Jacob then goes into exile and starts his proverbial tribe – bearing 12 sons from 4 different women (2 sisters, who are also his own cousins, and their respective servant-girls!). I enjoyed the first part slightly more than the second – where we also got the services of a respectable cast (Harry Andrews as Isaac, Colleen Dewhurst as his wife, Keith Michell as Jacob, Julian Glover as Esau and Herschel Bernardi as the wily uncle). The latter stages – with Michell stepping into the background so as to allow Tony LoBianco as the favorite among his sons, the wise-man Joseph, to take center-stage – tread more familiar ground but remain watchable, despite the inherent low-budget and flat look associated with made-for-TV productions. Joseph is thrown into a well by his jealous brothers and sold to a band of wandering traders bound for Egypt, unaccountably rises to a position of Pharaoh's adviser and to where the Hebrews eventually assemble, until the advent of Moses. Here, too, one particular episode rang a bell – when LoBianco rejects the attentions of the slave-master's wife, thus incurring her wrath (in this respect, both she and the actress playing Jacob's preferred wife Rachel are quite attractive and, being foreigners, lend the proceedings the requisite exotic touch). For the record, this is the third film I have watched from director Cacoyannis: the others, while superior, were also closer to his own background – namely, ELECTRA (1962) and ZORBA THE Greek (1964).


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