The Spikes Gang

Lee Marvin has played the role of crusty gunslinger many times, and he does not disappoint here. The story of three farm boys throwing in with the wily bank robber is both believable and different. The film is never dull, with Marvin spewing forth quotable lines throughout. This is not some sugar coated view of their desperate situation as hunted men, but rather a realistic look at the downside of breaking the law. Of course the boys elicit sympathy, even though they are killers, no different than their mentor. "The Spikes Gang" is one of those movies that far exceeds expectations, is worth seeking out, and not easily forgotten. - MERK

Imagine, a movie that gives a lesson right from the bible, 'Those that live by the sword shall die by the sword'. It was amazing that none of the 3 boys ever said to one another, 'we were better off with our parents'. After doing some of the dumbest things imaginable for young boys and doing it badly you would think

they were smart enough to realize they weren't cut out for being out on their own. Anyhow, the movie was well done, gave you a real feel for what it must

have been like living in the 'Old West'. Plus how hard it must have been to be accepted by a community that knew every detail of every citizen that lived in the area. Maybe the reason for such a poor showing at the box office was the title. Lee Marvin plays himself and does it superbly.

From a time when the western was trying to appeal to a younger audience by making movies that featured boy protagonists rather than men, ("The Culpepper Cattle Company", "The Cowboys" and here, "The Spikes Gang"). This time the boys are Gary Grimes, who wisely gave up acting, Charlie Martin Smith and someone called Ron Howard who appeared in a popular tv series and I believe went into directing.

They're runaways from home who prove to be pretty useless at everything they turn their hand to until outlaw Lee Marvin takes them under his wing, at which point they become pretty good at killing. It's a typically amoral tale where even killing is played largely for laughs, at least at the beginning before it turns tragic along the lines of "Bonnie and Clyde", though this is never in that class and while it may not be the best thing Richard Fleischer, or for that matter Irving Ravetch and Harriet Frank Jr, ever did it is still an unusally grim tale which might account for why it's now almost totally forgotten when others of its ilk are more fondly remembered.

The Spikes Gang is a very good western that shows what probably happened to a good many youngsters who struck out on their own in the expanding west. It is one of three westerns that Gary Grimes starred in that gave a darker and truer view of life in the old west for teenager. The others are The Culpepper Cattle Co., 1972 and Cahill, U.S. Marshall, 1973.

Lee Marvin plays a wounded bank robber, (Spikes) on the run from a posse, whom three teens find (Grimes, Ron Howard and Charles Martin Smith) and nurse back to health. The three youths, small community and under the heavy hand of discipline, become enthralled with Spikes and soon strike out on their own soon after he departs.

After a series of misadventures, the youngsters meet up with Spikes again, who, against his better judgment, takes them under his wing.

The Spikes Gang is a fast paced movie and seems to play upon the anonymity of three teenagers, ill-prepared for a brutal and unforgiving way of life. The one drawback to the pace is that it does not give a good sense for the passage of time, but is effective in emphasizing the few sparks in mundane lives.

As part of the Grimes Western trilogy, one can get a good look at an overly romanticized part of history.

Three farm boys -- Gary Grimes, Ron Howard, and Charles Martin Smith -- find injured bank robber Lee Martin. They take care of him, and lie to their family and the posse pursuing him. When he offers to pay them, they turn him down. Then, on their own, they decide to rob a bank. They find themselves pursued to the Mexican border. South of the line, they find Marvin, who offers to take them on in his line of work.

Richard Fleischer's movie is set in a landscape of occasional falling-down builds in empty landscape and people of unforgiving morality and seemingly good-natured outlaws. In many ways, it's the flip side of Mark Rydell's THE COWBOYS, teaching a much harder and less palatable lesson in how to live in a harsh world. With Arthur Hunnicut and Noah Beery Jr.