A fledgling Staten Island journalist witnesses a brutal murder in the neighboring apartment of a French-Canadian model, but the police do not believe that the crime took place. With the help of a private detective, she seeks out the truth.
Brian De Palma
Keith Gordon is a creative young man who films the oddball doings of his family and peers. "The Maestro" appears frequently to give him pointers on his techniques. It's almost a film about ... See full summary »
Young business executive has a change of heart and becomes a struggling but happy tap dancing magician. His old boss ends up ruined without his best employee, but finds a way to bounce back by commercializing his idea.
Evil record tycoon Swan has sold his soul to the devil for eternal youth and success - 20 years ago. Swan's current scheme is to steal the music from composer Winslow Leach to celebrate the opening of his rock palace, The Paradise. While trying to stop Swan, Leach was framed and convicted for drug dealing, and becomes the victim of a freak accident that leaves him horribly disfigured. He takes refuge in the cavernous Paradise, hiding his mangled face beneath an eerie mask and planning gruesome vengeance upon Swan - and everyone else who has hurt him. However, Leach signs a contract with Swan to complete his rock opera based on the legend of Faust for an aspiring singer - Phoenix.Written by
In the film within the film of Swan's "suicide", the devil tells Swan that the image of him on the tape will age instead of him. Yet when the Phantom watches the tape, there is no difference in the appearance between the Swan on film or the Swan in "reality". See more »
This picture will age in your place. And you must watch it every day just to see how lucky you are. And the tape from which the picture comes must be guarded at all costs. When it goes, you go.
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The closing credits feature a series of montages of the cast members, identifying each by name, starting with the musical trio (Oblong, Hahn, Comanor) and concluding with William Finley as Winslow/The Phantom. These montages are made up of shots ostensibly from the movie, and most of them are, but there are also numerous outtakes. See more »
In the pre-release (or press) prints of the movie, the scene where Winslow was disfigured by the record press was longer; His disfigured face was briefly seen steaming with smoke from the press, and Winslow then killed the cop that surprised him (and shot him in the leg, which explained why Winslow walked with a limp for most of the film; however, he was able to run with the greatest of ease towards the end). The scene was removed from subsequent versions, as it was best decided that Winslow's disfigured visage be revealed at the end of the film. See more »
This movie is beautiful. Its a consummate midnight movie. Okay, so Paul Williams, Bill Finley, and Jessica Harper may not be the best actors in the world. And sure, the effects, set, camera moves, and acting is SO VERY seventies, but that doesn't take away from the most beautiful score of any made for film musical, heart tugging writing, and a great villain. Also, the humor of this film is great. De Palma was obviously having fun. I mean, this movie can be viewed as a bad piece of overblown trash, or a studio trying to capitalize on a midnight movie craze, but wheres the fun in that? The direction is solid, the music is relevant, and the movie tells a story. Its fun, entertaining, and emotional. What more do you want from a movie? Plus, you have Rod "Twilight Zone" Serling doing the opening narration! What a beautifully cheesy movie.
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