Phantom of the Paradise (1974)

A disfigured composer sells his soul for the woman he loves so that she will perform his music. However, an evil record tycoon betrays him and steals his music to open his rock palace, The Paradise.

Director:

Brian De Palma

Writer:

Brian De Palma

Stars:

Paul Williams, William Finley, Jessica Harper

Nominated for 1 Oscar. Another 3 wins & 4 nominations.

Cast

Cast overview, first billed only:
William Finley	...	Winslow / The Phantom
Paul Williams	...	Swan
Jessica Harper	...	Phoenix
Gerrit Graham	...	Beef
George Memmoli	...	Philbin
Archie Hahn	...	The Juicy Fruits / The Beach Bums / The Undeads
Jeffrey Comanor	...	The Juicy Fruits / The Beach Bums / The Undeads
Peter Elbling	...	The Juicy Fruits / The Beach Bums / The Undeads (as Harold Oblong)
Colin Cameron	...	Band
David Garland	...	Band
Gary Mallaber	...	Band
Art Munson	...	Band
Mary Margaret Amato	...	Swan's Entourage
Rand Bridges	...	Swan's Entourage
Jim Bohan	...	Swan's Entourage

Storyline

Evil record tycoon Swan has sold his soul to the devil for eternal youth and success - 20 years ago. Swan's current scheme is to steal the music from composer Winslow Leach to celebrate the opening of his rock palace, The Paradise. While trying to stop Swan, Leach was framed and convicted for drug dealing, and becomes the victim of a freak accident that leaves him horribly disfigured. He takes refuge in the cavernous Paradise, hiding his mangled face beneath an eerie mask and planning gruesome vengeance upon Swan - and everyone else who has hurt him. However, Leach signs a contract with Swan to complete his rock opera based on the legend of Faust for an aspiring singer - Phoenix.

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Plot Keywords:

cult favorite | rock opera | masked man | deal with the devil | black comedy | 

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Taglines:

The music made him do it!

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Genres:

Comedy | Drama | Fantasy | Horror | Music | Romance | Thriller

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Certificate:

PG

Did You Know?

Trivia

Phantom of the Paradise was originally slated to be released in the Summer of '72. The film was eventually released at Halloween of '74. The reason why the film took so long to be released is probably because of all of the changes that had to be made in the post-production.

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Goofs

When Winslow is discovered by policemen in Swan's garden, the flashing red light seems to be on the left both of policemen and Winslow.

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Quotes

Arnold Philbin: Bullshit, I know what it really is.
Beef: Oh you do, huh?
Arnold Philbin: Yes, I do.
Beef: Why don't you tell me what it is.
Arnold Philbin: Speed.
Beef: Speed?
Arnold Philbin: Yeah!
Beef: What do you know about it? You just pass the stuff out, I take it! I know 'drug real' from 'real real'!

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Crazy Credits

The closing credits feature a series of montages of the cast members, identifying each by name, starting with the musical trio (Oblong, Hahn, Comanor) and concluding with William Finley as Winslow/The Phantom. These montages are made up of shots ostensibly from the movie, and most of them are, but there are also numerous outtakes.

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Alternate Versions

In the pre-release (or press) prints of the movie, the scene where Winslow was disfigured by the record press was longer; His disfigured face was briefly seen steaming with smoke from the press, and Winslow then killed the cop that surprised him (and shot him in the leg, which explained why Winslow walked with a limp for most of the film; however, he was able to run with the greatest of ease towards the end). The scene was removed from subsequent versions, as it was best decided that Winslow's disfigured visage be revealed at the end of the film.

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Connections

Referenced in 'Obsession' Revisited (2001)

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Soundtracks

Special to Me
Written by Paul Williams
Performed by Jessica Harper

User Reviews

In the court of King Williams

Talented underground creators. How great it is to be in their worlds! that's when we get them at the height of their more uncontrolled and pure creativity. unmanipulated, wild. The outcome of what they do when they work within the underground is hardly the best work they produce, but it's often their more passionate creations, and practically always indicates what they will master when they "grow up".

Here we have a film that exists in 3 levels (at least 3 that matter to me):

• this is a film within a social and cultural context. The kind of music we hear here (not the multiple parodies, but the music that is intended to be "good") was a reaction to the 60', or the next step of the evolution. Within the same underground spirit that created this film, there was a growing tendency to extend and invent forms that would accommodate the fantasies of new musicians. That's what today we know as progressive rock. This film would pave the way for Tommy, for Live at Pompei, and for The Wall.

• Paul Williams, great mind, great talent. Much of what works here is his vision, from the mood even to some roots of the story. His parodies are great, but his real stuff is good enough. I enjoyed getting to know him better, and it Is funny that he comes to perform the guy who steals his own music.

• de Palma, who was my first interest when coming to this. The fact is i didn't know so well what to expect, and i ended up appreciating more the other levels than this one of the director. Apparently by this time he had clarified what he wanted to explore, but he was far from mastering any of his enormous visual skills, or this film was such a collective work that he just couldn't make his personal statement so well. Anyway we have here eventually the first split screen of his career (i'm not absolutely sure of this), something he would take all his careers with incredible results. Other than that, we don'te have his magical camera eye yet.

The story matters only for the fact that we have a battle between creative and money grower, something that all the people involved here might know pretty well back in those days.

Jennifer Harper has a pretty face, and illuminates the set when she sings.

My opinion: 4/5

http://www.7eyes.wordpress.com

Details

Country:

USA

Language:

English

Release Date:

1 November 1974 (USA)

Also Known As:

Phantom

Filming Locations:

New York City Center - 131 West 55th Street, New York City, New York, USA

Box Office

Budget:

$1,300,000 (estimated)

Company Credits

Production Co:

Harbor Productions, Pressman-Williams Enterprises

Technical Specs

Runtime:

91 min

Sound Mix:

4-Track Stereo (Westrex Recording System)

Color:

Color (Movielab)

Aspect Ratio:

1.85 : 1